Ryland Grace is the sole survivor on a desperate, last-chance mission - and if he fails, humanity and the Earth itself will perish. Except that right now, he doesn't know that. He can't even remember his own name, let alone the nature of his assignment or how to complete it. All he knows is that he's been asleep for a very, very long time. And he's just been awakened to find himself millions of miles from home, with nothing but two corpses for company.

It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.

Six days ago, astronaut Mark Watney became one of the first people to walk on Mars. Now, he's sure he'll be the first person to die there. After a dust storm nearly kills him and forces his crew to evacuate while thinking him dead, Mark finds himself stranded and completely alone with no way to even signal Earth that he’s alive - and even if he could get word out, his supplies would be gone long before a rescue could arrive. But Mark isn't ready to give up yet.

Inheriting your uncle's supervillain business is more complicated than you might think. Particularly when you discover who's running the place. Charlie's life is going nowhere fast. A divorced substitute teacher living with his cat in a house his siblings want to sell, all he wants is to open a pub downtown, if only the bank will approve his loan. Then his long-lost uncle Jake dies and leaves his supervillain business (complete with island volcano lair) to Charlie. But becoming a supervillain isn't all giant laser death rays and lava pits.

Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.

Alice's journey begins as all good journeys do: hitting on the sales guy at REI. After a tumultuous breakup, a quick career transition, family upheaval, and a sobriety journey that didn't fix her life quite as much as she expected it to, Alice decides that the only way to solve all her problems is to hike the Pacific Crest Trail. But as she begins preparing for the months-long quest, she realizes the answers she's seeking might not be on top of a snow-covered mountain. Especially since she just learned there was snow in California.

Fresh off the success of her groundbreaking first play, A Raisin in the Sun, Lorraine Hansberry's The Sign in Sidney Brustein's Window tells the tragicomic story of a young bohemian couple in New York's Greenwich Village, struggling to do what's right in a world that rewards everything that's wrong. Sidney is a dreamer who wants his own Walden Pond; Iris is a budding actress whose own backstory is a performance. They're caught in a moment where, "the world is about to crack right down the middle," as the play tackles racism, sexism, antisemitism, homophobia, liberal complacency, and more.

On a cold December evening in 2016 a terrified young woman turns up at a brothel in Germany with a French passport but doesn’t speak a word of French. The owner is suspicious and alerts the German authorities, igniting a groundbreaking and history-making global investigation where ancient rituals collide with the modern world of crime fighting.

When the biggest colony ship in human history was sent to settle a paradise world, an accident hurtled it deep into uncharted space. A thousand light years from Earth, with no way home and no way to call for help, the colonists’ only hope for survival was the one barely habitable planet in range, a nightmare world they named Croatoan. Landing on the only five mountain peaks tall enough to rise above the lethal acid clouds, the settlers carved a civilization from the rock.

Ten years after the bloody events of season one, the Kingdom of Awadh is now being ruled by an iron hand by Maharani Sukanya. It's an uneasy peace she has fostered, which has led to minor rebellions in remote parts of her kingdom. The absence of the magical forces of Mayawar hasn't gone unnoticed by Sukanya's enemies. Awadhpuri Palace is torn from the inside, and loyalties continue to shift.

A fictional true crime podcast starring BAFTA Award winner Sheridan Smith (Mrs Biggs, Cilla) and Golden Globe winner Joanne Froggatt (Downton Abbey), THE MARGATE MURDERS follows the hunt for an elusive serial killer who murders once every decade, and then changes his identity. In a story full of shocking twists and turns, a journalist, a survivor, a witness, a detective and a forensic psychologist are all interviewed for their perspective on the what went right, and what went horribly wrong, in the hunt for a killer. But everyone has their own agenda, and maybe even something to hide…

In South London, England, a serial killer appears to be on the loose. Victims have been cruelly slain, bodies are piling high and fear grips the community. But the victims aren’t humans - they’re domestic cats, cute little kitties! The killings spark a relentless investigation by animal rescue group SNARL, led by the formidable Boudicca Rising, her partner Tony and rock musician Rob. Acclaimed journalist Nancy Miller - who helped track down the infamous Golden State Killer - journeys from the US to help the amateur sleuths crack the case.

Newlyweds Randy and Amalia work at her brother’s sugarcane plantation in Veracruz, Mexico—where they are both doing their best to put as much distance as they can between themselves and their shadowy pasts. But it is precisely their ill-gotten reputations that makes Amalia’s brother turn to them for help when his son, 14-year-old Quique, is kidnapped.

Will Johnnie Veal—convicted of the murder of two police officers in 1970—be granted parole after 50 years in prison? How can he convince the parole board he’s reformed when he insists he’s innocent? What is prison time even supposed to accomplish? These are the questions that propel The Parole Room forward as it builds toward Johnnie’s 20th parole hearing—after 19 rejections.

In the not-too-distant future, a 21-member crew launches from Earth. Their mission: to establish a temporary colony on Mars. Little do they know that colony will become permanent–and the last stand of the human race. Because, without warning, every single person left on Earth simply...vanishes. Now, a thousand years later, the resources needed to sustain life are running out, and the very existence of the Mars colony is threatened. Humankind has only one option–to return to its home planet.

Three months ago, Tansy Bloom quit monster hunting. Since then, she’s been trying to live a normal life (whatever that means), but ending up single, unemployed, and living on a boat outside her godfather’s pub definitely wasn’t part of the plan. So, when Tansy’s ex-husband – fellow monster hunter Rex Barclay – turns up like a bad penny and asks for her help with his latest investigation, Tansy reluctantly agrees. At first, the job appears to be a straightforward monster hunt – following a spate of large creature sightings, Rex believes a werewolf is on the loose in Norfolk.

Once, Jackson Rook was a war hero. Raised from boyhood to pilot an exosuit mech, he’d fought gallantly for the rebellion against the Collectivists. But that was a long time ago, on a world very far away. Now, Jackson Rook is a criminal, a smuggler on board the Multipurpose Supply Vehicle Tar Heel. His latest mission: steal a top-of-the-line mech called the Citadel and deliver it to the far-flung planet Swindle, a world so hostile even the air will kill you. The client: a man known only as the Warlord.

The American story is a story of progress. We’re taught that as time moves forward–and movements for civil rights come and go–America gets better, and better, and better. But the story isn’t that straightforward. Because often, on the heels of what looks like progress, comes backlash. People in power find ways to return things to the way they were before. These moments prove that progress isn’t linear or inevitable. Our standard narratives about American progress aren’t quite true. Backlash offers a new narrative.

Oakland-bred LaVeesha “Vee” Gilliam (Coco Jones) is a determined single mother of an autistic son and a gifted aspiring coder. When Vee loses her job as a food-services worker at the onsite restaurant at Grapengine, a large Silicon Valley tech company, she’s unable to pay for her son’s much-needed specialized education. By a twist of fate, mistaken identity, and her tech skills, Vee meets Troy Wilson (Keith Powers), the company’s wealthy founder and CEO and a wunderkind in the tech industry, who believes that Vee is a college-educated techie who works at his company.

A sailor recalls the monstrous terror that lay at the bottom of the deep in this, Lovecraft’s earliest tale of unspeakable horror from outside our universe.