Conor O’Toole has never been anywhere like Cutters Neck, a gated community near Cape Cod. It’s a sweet deal for the summer: in exchange for tennis lessons, he receives free lodging in a luxurious guest cottage, far from the cramped Yonkers apartment he shares with his diabetic mother.

Is it possible to write a sidesplitting novel about the breakup of the perfect marriage? If the writer is Nora Ephron, the answer is a resounding yes. For in this inspired confection of adultery, revenge, group therapy, and pot roast, the creator of Sleepless in Seattle reminds us that comedy depends on anguish as surely as a proper gravy depends on flour and butter.

Liame Noone was many things to many people. To the public, he was an exacting, self-made hotel magnate fleeing his past. To his three ex-wives, he was a loving albeit distant family man who kept his finances flush and his families carefully separated. To Nora, he was a father who often loved her from afar—notably, a cliffside cottage perched on the California coast where he fell to his death.

Ricki Wilde has many talents, but being a Wilde isn’t one of them. As the impulsive artistic daughter of a powerful Atlanta dynasty, she’s the opposite of her famous socialite sisters. Where they’re long-stemmed roses, she’s a dandelion: an adorable bloom that’s actually a weed, born to float wherever the wind blows. In her bones, Ricki knows that somewhere, a different, more exciting life awaits her. When regal nonagenarian Ms. Della invites her to rent the bottom floor of her Harlem brownstone, Ricki jumps at the chance for a fresh beginning.

Luciana is the baby of her large Colombian American family. And despite usually being relegated to the sidelines, she now finds herself the voice of reason in the middle of their unexpected crisis. Her older sister, Mari, is away at college and reduced to a mere listening ear on the other end of their many phone calls, so when South Florida residents are ordered to evacuate before a hurricane, it’s up to Luciana to deal with her eccentric grandmother, Abue, who’s refusing to leave. But the storm isn’t the only danger.

Beverly Underwood and her arch enemy, Lula Dean, live in the tiny town of Troy, Georgia, where they were born and raised. Now Beverly is on the school board, and Lula has become a local celebrity by embarking on mission to rid the public libraries of all inappropriate books—none of which she’s actually read. To replace the “pornographic” books she’s challenged at the local public library, Lula starts her own lending library in front of her home: a cute wooden hutch with glass doors and neat rows of the worthy literature that she’s sure the town’s readers need.

John, an impoverished Scottish minister, has accepted a job evicting the lone remaining occupant of an island north of Scotland—Ivar, who has been living alone for decades, with only the animals and the sea for company. Though his wife, Mary, has serious misgivings about the errand, he decides to go anyway, setting in motion a chain of events that neither he nor Mary could have predicted.

Martha Ratliff conceded long ago that she’d likely spend her life alone. She was fine with it, happy with her solo existence, stimulated by her work as a librarian in Maine. But then she met Alan, a charming and sweet-natured salesman whose job took him on the road for half the year. When he asked her to marry him, she said yes, even though he still felt a little bit like a stranger.

For years, there have been whispers that, before his death, Van Gogh completed a final self-portrait. Curators and art historians have savored this rumor, hoping it could illuminate some of the troubled artist's many secrets, but even they have to concede that the missing painting is likely lost forever. But when Luke Perrone, artist and great-grandson of the man who stole the Mona Lisa, and Alexis Verde, daughter of a notorious art thief, discover what may be the missing portrait, they are drawn into a most epic art puzzles.

Julia Ames, after a youth marked by upheaval and emotional turbulence, has found herself on the placid plateau of mid-life. But Julia has never navigated the world with the equanimity of her current privileged class. Having nearly derailed herself several times, making desperate bids for the kind of connection that always felt inaccessible to her, she finally feels, at age fifty seven, that she has a firm handle on things. She’s unprepared, though, for what comes next.

In 1950s Tehran, seven-year-old Ellie lives in grand comfort until the untimely death of her father, forcing Ellie and her mother to move to a tiny home downtown. Lonely and bearing the brunt of her mother’s endless grievances, Ellie dreams of a friend to alleviate her isolation. Luckily, on the first day of school, she meets Homa, a kind, passionate girl with a brave and irrepressible spirit. Together, the two girls play games, learn to cook in the stone kitchen of Homa’s warm home, wander through the colorful stalls of the Grand Bazaar, and share their ambitions for becoming “lion women.”

For the past two decades, Rocky has looked forward to her family’s yearly escape to Cape Cod. Their humble beach-town rental has been the site of sweet memories, sunny days, great meals, and messes of all kinds. This year’s vacation, with Rocky sandwiched between her half-grown kids and fully aging parents, promises to be just as delightful as summers past—except, perhaps, for Rocky’s hormonal bouts of rage and melancholy. Her body is changing—her life is, too. And then a chain of events sends Rocky into the past, reliving both the tenderness and sorrow of a handful of long-ago summers.

The White Lotus meets Agatha Christie in this bold novel from a #1 New York Times bestselling author: a recent divorcee's exclusive Big Sur resort vacation unravels when she discovers a dead body on the day of a wedding.

Ali Morris is a professional organizer whose own life is a mess. Her mom died two years ago, then her husband left, and she hasn’t worn pants with a zipper in longer than she cares to remember. No one is more surprised than Ali when the first time she takes off her wedding ring and puts on pants with hardware—overalls count, right?—she meets someone. Or rather, her dog claims a man for her, in the same way he claimed his favorite of her three children: by peeing on him. Ethan smiles at Ali like her pants are just right—like he likes what he sees.

In September 1883, a small town in the South Australian outback huddles under strange, vivid sunsets. Six-year-old Denny Wallace has gone missing during a dust storm, and the entire community is caught up in the search for him. As they scour the desert and mountains for the lost child, the residents of Fairly—newlyweds, farmers, mothers, indigenous trackers, cameleers, children, artists, schoolteachers, widows, maids, policemen—confront their relationships, both with one another and with the land­scape they inhabit.

When Heather McKinley dreamed of becoming a doctor, she imagined curing sick kids and sporting pink stethoscopes. She never anticipated the sleepless nights, grueling exams, and endless labs. And she certainly never knew that her medical school earned the nickname Dead Med thanks to the tragic history of students overdosing on illegal drugs. But Heather would never consider doing anything like that. That is, until her longtime boyfriend dumps her, she finds herself failing anatomy, and her world starts to crumble.

It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.

As Charly struggles to recover from her brain injury, she begins to realize that the events of that fateful night are trapped in the damaged right side of her brain. Now, she must put the jigsaw pieces together to discover the identity of the man who tried to kill her...before he finishes the job he started.

As the days grow shorter and the temperature drops, Halloween approaches. Come, brave listener, pull up a chair, and spend some time with master storyteller Stephen Fry as he tells us some of his favourite ghost stories of all time, in truly terrifying spatial audio. From the headless horseman of Sleepy Hollow to the tortured spirits of M.R. James, from Edgar Allan Poe’s terrifying tale of a doppelganger to Charlotte Riddell’s Open Door that should definitely stay shut, join Stephen as he tells you some truly terrifying tales.

The modern audience hasn't had a chance to truly appreciate the unknowing dread that readers would have felt when reading Bram Stoker's original 1897 manuscript. Most modern productions employ campiness or sound effects to try to bring back that gothic tension, but we've tried something different. By returning to Stoker's original storytelling structure - a series of letters and journal entries voiced by Jonathan Harker, Dr. Van Helsing, and other characters - with an all-star cast of narrators, we've sought to recapture its originally intended horror and power.

Is it possible to write a sidesplitting novel about the breakup of the perfect marriage? If the writer is Nora Ephron, the answer is a resounding yes. For in this inspired confection of adultery, revenge, group therapy, and pot roast, the creator of Sleepless in Seattle reminds us that comedy depends on anguish as surely as a proper gravy depends on flour and butter.

Conor O’Toole has never been anywhere like Cutters Neck, a gated community near Cape Cod. It’s a sweet deal for the summer: in exchange for tennis lessons, he receives free lodging in a luxurious guest cottage, far from the cramped Yonkers apartment he shares with his diabetic mother.

Abby Rodier was a “drop-box baby,” a Korean orphan whose mother could not take care of her and left her as an infant. Abby’s tumultuous experience in the American foster care system has led her to live a solitary and guarded life, closed off to almost everyone except her best friend Iseul, whose parents took Abby into their home as a child.

Most nights, you’ll find Alison Hunter at The Venue, the kind of sweaty Nashville spot that’s on the circuit for bands like Bon Iver and Death Cab. Sounds glamorous—but not for Al, who stamps hands at the door with Julien, the quiet coworker who treats her like a little sister. When she can sneak off, she bums drinks from the tattooed bartender and watches the bands, wondering if she’ll ever finish a song of her own after her disastrous attempt to play in public.

Liame Noone was many things to many people. To the public, he was an exacting, self-made hotel magnate fleeing his past. To his three ex-wives, he was a loving albeit distant family man who kept his finances flush and his families carefully separated. To Nora, he was a father who often loved her from afar—notably, a cliffside cottage perched on the California coast where he fell to his death.

Ricki Wilde has many talents, but being a Wilde isn’t one of them. As the impulsive artistic daughter of a powerful Atlanta dynasty, she’s the opposite of her famous socialite sisters. Where they’re long-stemmed roses, she’s a dandelion: an adorable bloom that’s actually a weed, born to float wherever the wind blows. In her bones, Ricki knows that somewhere, a different, more exciting life awaits her. When regal nonagenarian Ms. Della invites her to rent the bottom floor of her Harlem brownstone, Ricki jumps at the chance for a fresh beginning.

In 1862, after a tragedy at home, twenty-two-year-old Sylvie Swift parts ways with her twin brother to trace the origins of an enigmatic playscript that’s landed on their doorstep. This text leads her to Nashville, an occupied city bustling with soldiers, saboteurs, partisans, powerful men—and powerful women. Sylvie translates the playscript by day, but at night, drawn into the work by the chief of the Union Army’s Secret Service, she acts as a spy. Both endeavors acquaint her with a sisterhood whose members possess potentially monstrous powers.

Thirty-something single mom Jenny James is used to the typical run-in-your-tights, milk-turned-sour, break-a-nail bad kind of day. Attitude from her teenage son? Count on it. Car problems? To be expected. Never quite enough money for monthly expenses? Guaranteed. And then arrives the Very Bad Day—when Jenny finds out her dull but reliable office job is in jeopardy, her car totally and completely breaks down, and she arrives home (on foot) just in time to see her modest-but-cozy cottage sliding off a cliff into the sea. Jenny's life—not to mention her home—has reached its ultimate low point.

Sadie Jones, a larger-than-life actress and controversial feminist, never wanted to be a mother. No one feels this more deeply than Jude, the daughter Sadie left behind. While Jude spent her childhood touring with her father’s Shakespearian theater company, desperate for validation from the mother she barely knew, Sadie catapulted to fame on the wings of The Mother Act—a scathing one-woman show about motherhood. Two decades later, Jude is a talented actress in her own right, and her fraught relationship with Sadie has come to a scandalous head.

Best friends Darcy, Camilla, and Kate escape for a post-divorce retreat in the Maldives, the perfect place to relax, reset, and embrace a fresh start in life. Their dream getaway? The exclusive and isolated Sapphire Island Resort. With luxurious private villas, crystal-clear waters, and sun-drenched white sand beaches, relaxation is guaranteed. But this is no ordinary friendship, and they’re not the only guests on the island with secrets.

West Palm Beach, 1999. A phone call summons fifty-eight-year-old Cherie Anderson from a frozen Minnesota to help her two mothers: Dale, the mother who left her when she was five and is facing eviction from her budget-apartment complex, Soleil City, and Marlys, the mother who raised her from that moment on—and who’s now dying, but won’t admit it to her daughter. Cherie seeks a reason to stay in town long enough to give Dale the help she’s finally asked for and Marlys the help she clearly needs.

Presley Fry is not amused. She’s been an assistant at the Late Night Show for way too long, she’s adopted a “business casual” approach to dating to save herself from the embarrassment of seeking genuine connection, and she’s content to let her gregarious roommate, Isabelle, orchestrate her entire social life. Not completely disillusioned, Presley is enamored with the world of stand-up comedy. The joy she finds in discovering up-and-coming comedians is enough for now.

Wedding gown designer Andie Dresser is hanging on by a thread. Gaining a following on TikTok for her one-of-a-kind fairytale gowns has earned her a spot at Atlanta’s Fashion Week, but the costs to design a full bridal line have stretched her to her limit. When her best friend suggests she sign up for a reality show with a potential $100,000 prize, she realizes the money could allow her to hire some desperately needed help. All she needs to do is marry a stranger—sight unseen—and opt for divorce at the end of filming. No big deal, right?

April, May, June, and July Barber don’t have much in common anymore. An upcoming family wedding will place the four siblings in the same room for the first time in years. But shortly before, when April spots their father, who went missing while serving overseas a decade ago, their reunion becomes entirely more complicated. While the siblings’ search for the truth about their father forces them back into each other’s lives, it also intensifies their private dramas.

Mae Townsend has always dreamed of connecting with her estranged Black family in the South. She grew up picturing relatives who looked like her, crowded dinner tables, bustling kitchens. And, of course, the Townsend family barbecue, the tradition that kept her late father flying to North Carolina year after year, despite the mysterious rift that always required her to stay behind.