When Meredith Mitchell agreed to stay with her actress cousin, Eve, in the run up to Eve's daughter's wedding, she anticipated a degree of drama. But she can hardly have expected it to include murder, blackmail, and unrequited love. Or to involve a certain Chief Inspector Markby, a middle aged divorcee.

Where Old Bones Lie is set on an isolated archaeological dig in the Cotswolds. When a body is found near the site, the suspects, witnesses, and clues all conflict, and the disappearance of a group of New Age travellers just seems to add to the mystery. Superintendent Markby and Meredith Mitchell must untangle the mess, and in doing so find themselves in a dangerous and uncompromising situation.

It is 1864 when Lizzie Martin takes up the post of companion to a wealthy widow who is also a slum landlord. Lizzie is intrigued to learn that her predecessor disappeared, supposedly having run off with an unknown man. But when the girl's body is found in the rubble of one of the recently demolished slums around the prestigious new railway station at St Pancras, Lizzie begins to wonder exactly what has been going on.

Fran Varady is insolvent, unemployed, and, though for the moment she's got the leaky roof of the squat she shares in Jubilee Street over her head, she'll very soon be homeless thanks to the council eviction department. Her dreams of becoming an actress, nurtured when her father and grandmother were still alive, seem a long way off.

When the body of a young woman is discovered in the cowshed of Cricket Farm, the tranquility of the British countryside is shattered. Inspector Jess Campbell is on the case, but with few leads, a grumbling partner, and the new superintendent Ian Carter piling on the pressure, she's beginning to wonder why she chose to be a detective in the first place.

Miss Busby helped Major Heathcliff Lennox solve a series of murders at Bloxford in the Cotswolds. Now, she finds herself drawn into a new murder, but this time, it's just her, and she must rely on her sharp mind and sharper wits to catch a Cotswolds killer, along with a handsome police inspector and a reporter who's keen to make her mark.

The story opens with the apparently accidental drowning of a sixth form student in the Norfolk countryside. As a matter of routine, or so it seems, the case passes across the desk of Detective Sergeant Smith, recently returned to work after an internal investigation into another case that has led to tensions between officers at Kings Lake police headquarters. As an ex-DCI, Smith could have retired by now, and it is clear that some of his superiors wish that he would do so.

At the end of her first unsuccessful season out in society, Lady Georgiana has all but given up on attracting a suitable man - until she receives an invitation to a masked Halloween ball at Broxley Manor. Georgie is uncertain why she was invited, until she learns that the royal family intends to marry her off to a foreign prince, one reputed to be mad.

Lady Emily Hardcastle is an eccentric widow with a secret past. Florence Armstrong, her maid and confidante, is an expert in martial arts. The year is 1908 and they've just moved from London to the country, hoping for a quiet life. But it is not long before Lady Hardcastle is forced out of her self-imposed retirement. There's a dead body in the woods, and the police are on the wrong scent. Lady Hardcastle makes some enquiries of her own, and it seems she knows a surprising amount about crime investigation...

Spring, 1918. The Great War is at a crucial stage, the Germans are making one last push into France, and the Allies are struggling to hold them back. Battle lines are shifting, and men, and their machines, are being sent up and down the front to shore up defenses. Major Heathcliff Lennox, and his batman Greggs, are told to report to their new HQ. They set off on a sunlit day to fly the distance, but the enemy is never far away, and disaster strikes. They're sent crashing to the ground behind enemy lines, where life, death, and love await.

When a failed entrepreneur is temporarily left in charge of his aunt's huge gothic home, he knows he must be able to make a profit from it somehow. Murder, he decides, is the only way to do it. For Madingley Grange is the perfect venue for a 1930s murder-mystery weekend, and Simon Hannaford – with the reluctant help of his long-suffering sister – soon hatches a plan for money-spinning mayhem. From the conservatory to the claret cellar, the clues are carefully sprinkled. But when the guests arrive, it is obvious that the game won't be going as planned.

The New York Times best-selling author of Magpie Murders and Moriarty brilliantly reinvents the classic crime novel once again with this clever and inventive mystery starring a fictional version of the author himself as the Watson to a modern-day Holmes, investigating a case involving buried secrets, murder, and a trail of bloody clues.

Was the biggest case of his career the worst mistake he ever made? Ten years ago, DCI Jack Logan stopped the serial child-killer dubbed "Mister Whisper", earning himself a commendation, a drinking problem, and a broken marriage in the process...When another child disappears a hundred miles north in the Highlands, Jack is sent to lead the investigation and bring the boy home. But as similarities between the two cases grow, could it be that Jack caught the wrong man all those years ago?

After rising to prominence for his role investigating the case of Jack the Ripper, former Detective Inspector Daniel Wilson is now retired. Known for his intelligence, investigative skills, and most of all his discretion, he's often consulted when a case must be solved quickly and quietly. So when a body is found in the Egyptian collection of the Fitzwilliam Museum in Cambridge, Wilson is called in.

The year is 1920: Flying in the face of convention, legendary American adventuress Beryl Helliwell never fails to surprise and shock. The last thing her adoring public would expect is that she craves some peace and quiet. The humdrum hamlet of Walmsley Parva in the English countryside seems just the ticket. And, honestly, until America comes to its senses and repeals Prohibition, Beryl has no intention of returning stateside and subjecting herself to bathtub gin.

When Sasha receives a call from her old university friend Gabby inviting her to spend Christmas at Gabby’s remote Scottish lake house, Sasha knows she shouldn’t go. Twelve years ago, on Christmas Eve, when Sasha and her five closest friends were celebrating the festive season, something truly horrific happened that would change the course of their friendship forever. Something that meant Sasha hasn’t spoken to any of them since that night.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.

It’s been two years since Anna Cartwright’s life fell apart. During her first school trip as a young teacher, a student went missing and was never found. Not only was her career ruined, she was also accused of having an affair with fellow teacher and prime suspect Graham. Facing questions from journalists, police and family, Anna said she didn’t know what happened. She was lying. Now, Anna has returned to Australia. Her only hope is Land’s End Area School, an isolated concrete wasteland perched on the cliffs.

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

My fiancé brought me tea and scrambled eggs in bed that morning, and we snuggled together, talking about buying our rings, and about our perfect wedding next year. Then we headed into town. He held my hand and gazed at the ring I liked best, a smile spreading slowly over his face. Then a glass of bubbly to celebrate. I felt flushed, excited and ready for the rest of my life with the man I loved. We race to get on the train home. It screams to a halt and I run towards its open doors. Made it. I think he’s right behind me — but when I turn around, he’s gone.

England, 1914. The world is at war. Captain Hastings, injured and shaken, is invited to Styles Court to recover. It’s a grand old country house - the family home of his old friend - and a perfect haven. Or so it seems. But in the blistering summer heat, trouble is afoot. Simmering tensions are tearing the family apart, and it all comes to a head in the most horrifying way.

Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.

When Meredith Mitchell agreed to stay with her actress cousin, Eve, in the run up to Eve's daughter's wedding, she anticipated a degree of drama. But she can hardly have expected it to include murder, blackmail, and unrequited love. Or to involve a certain Chief Inspector Markby, a middle aged divorcee.

It is 1864 when Lizzie Martin takes up the post of companion to a wealthy widow who is also a slum landlord. Lizzie is intrigued to learn that her predecessor disappeared, supposedly having run off with an unknown man. But when the girl's body is found in the rubble of one of the recently demolished slums around the prestigious new railway station at St Pancras, Lizzie begins to wonder exactly what has been going on.

Meredith Mitchell's old friend Sally Caswell and her scientist husband have moved from London to the quiet of Oxfordshire, but find nothing but trouble. Quarrels between the moody scientist and an eccentric neighbour; goats in the backyard, and a letter bomb in the mail all add to malice, mystery, and murder—and another case for Meredith and her police inspector friend Alan Markby to solve.

Where Old Bones Lie is set on an isolated archaeological dig in the Cotswolds. When a body is found near the site, the suspects, witnesses, and clues all conflict, and the disappearance of a group of New Age travellers just seems to add to the mystery. Superintendent Markby and Meredith Mitchell must untangle the mess, and in doing so find themselves in a dangerous and uncompromising situation.

When the body of a young woman is discovered in the cowshed of Cricket Farm, the tranquility of the British countryside is shattered. Inspector Jess Campbell is on the case, but with few leads, a grumbling partner, and the new superintendent Ian Carter piling on the pressure, she's beginning to wonder why she chose to be a detective in the first place.