
The Anomaly
A Novel
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Narrado por:
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Dominic Hoffman
Winner of the Prix Goncourt, this dizzying literary pause-resister ingeniously blends crime, fantasy, sci-fi, and thriller as it plumbs the mysteries surrounding a Paris-New York flight.
In June 2021, a senseless event upends the lives of hundreds of men and women, all passengers on a flight from Paris to New York. Among them: Blake, a respectable family man, though he works as a contract killer; Slimboy, a Nigerian pop star tired of living a lie; Joanna, a formidable lawyer whose flaws have caught up with her; and Victor Miesel, a critically acclaimed yet commercially unsuccessful writer who suddenly becomes a cult hit.
All of them believed they had double lives. None imagined just how true that was.
A virtuoso novel where logic confronts magic, The Anomaly explores the part of ourselves that eludes us. This witty variation on the doppelgänger theme, which takes us on a journey from Lagos and Mumbai to the White House, proves to be Hervé Le Tellier’s most ambitious work yet.
©2021 Hervé Le Tellier and Adriana Hunter (P)2021 Random House AudioListeners also enjoyed...




















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too odd
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This narrator’s French accent is distracting
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So why did I only give it three stars? Because Dominic Hoffman's reading style rendered the book nearly impossible to listen to in any environment less direct than ear buds or headphones. Hoffman is one of those narrators who never seems to take a deep enough breath to finish a sentence without trailing off breathlessly into unintelligibility; nearly every sentence starts at a normal speaking volume and ends in a whisper. I only listen to Audio books in two contexts: via AirPods while I'm walking my dog, and over my car's audio system while I'm driving. Wearing the AirPods—in noise-cancellation mode—I was able to understand most of it, rewinding when I couldn't. In my car, however, the general ambience level associated with driving forced a choice between listening at a normal volume (but suffering the exasperation of thinking, "what did he just say?" at the end of most every line) or cranking up the volume to painful levels in order to decipher the last few words of each sentence. The ultimate blame should probably fall on Richard Brewer (the director), for allowing Hoffman to read this way. At the very least, the recording engineer or the mastering engineer (both uncredited) should've added some compression to the track in order to minimize the dynamic range of every line in the book. In any case, in the future, I'll avoid purchasing titles read by Mr. Hoffman.
The Anomaly is a good book, one that I'll probably read again, but next time, I'll use my eyes rather than my ears.
Fascinating Idea, Infuriating Narration
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Strong start.... weak end
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Great Fun--Science Fiction Meets Philosophy
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Fantastique!
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Strange but Compelling
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Questions with no resolution
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Great novel, but none ideal for audio format
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my career and my family.
Worth your time
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