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The Cut
- Narrated by: Richard Armitage, Jacob Dudman
- Length: 10 hrs and 13 mins
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Publisher's summary
An unmissable thriller written by Richard Armitage, author of #1 bestseller Geneva, narrated by the author and by Jacob Dudman.
You can’t escape your past. The cut always reopens.
In the sleepy village of Barton Mallet, the old ruins of Blackstone Mill watch over the residents as they go about their quiet lives. Ben Knot and his friends are looking forward to a summer of fun and freedom once their last year of school is over. The class of 1994 have been through a lot together, good and bad, but teasing turns to bullying when the Knot gang target younger boy Mark Cherry. As tensions rise and violence escalates, the group fractures and tragedy strikes. Before the summer is over, one of them will be killed. Murdered by someone they called a friend.
Thirty years on, Ben is an award-winning architect who has moved his family back to the village where he grew up. His girlfriend Dani is a hands-on step mum to his kids, budding actor Nate and star footballer Lily, but even though the family seem happy, Ben has never been able to forget the tragedy of the past. And it’s a past that is coming back to haunt him with the murderer’s imminent release from prison. Ben’s glittering career is also starting tarnish as some shady business deals have put him on the path to bankruptcy. With the killer’s parole date approaching and the banks calling in their loans, Ben struggles to keep a grip on the perfect life he has built.
When Nate lands the leading role in a new horror movie, Dani jumps at the chance to propel him towards stardom, despite Ben’s concerns that it will complicate their lives. Ben is persuaded to support his son’s dreams, but when the film crew descend on the village to start shooting, the dream starts to turn into a nightmare. The film is not quite what it seems. His kids are being pushed to the limit and Ben’s paranoia makes him question the film makers’ motives. Ben is desperate for answers and will stop at nothing to keep his family safe.
If the first cut is the deepest, then the last cut is going to end it all.
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About the Creator and Narrator
About the Performer
Critic reviews
"Armitage has done it again... THE CUT is a chilling, atmospheric thriller with characters you'll never forget." - Harlan Coben
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The Cut
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Hard to get into
- By felicialeash on 09-15-24
A new meant-to-be-heard psychological thriller from Richard Armitage
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Cassie thinks she has met the perfect man. Joel is sweet, handsome, romantic, and best of all, he’s crazy about Cassie. She thinks she’s found the guy she’ll spend the rest of her life with. Have children with. Grow old with. Yes, she knows about his perfect ex-girlfriend, Francesca. The beautiful, brilliant chef, beloved by all his friends. But she thinks Francesca is out of the picture. She thinks Francesca is gone for good. Think again, Cassie.
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Too bizarre for someone who loves bizarre
- By G. C. Webster on 07-01-22
By: Freida McFadden
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George Orwell’s 1984
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- By: George Orwell, Joe White - adaptation
- Narrated by: Andrew Garfield, Cynthia Erivo, Andrew Scott, and others
- Length: 3 hrs and 27 mins
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It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.
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A Revelation!
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Brain Damage
- By: Freida McFadden
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As Charly struggles to recover from her brain injury, she begins to realize that the events of that fateful night are trapped in the damaged right side of her brain. Now, she must put the jigsaw pieces together to discover the identity of the man who tried to kill her...before he finishes the job he started.
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Who Else Laughed, Cried, and Shuddered?
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By: Freida McFadden
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Too Late
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Sloan will go through hell and back for those she loves. And she does so, every single day. Caught up with the alluring Asa Jackson, a notorious drug trafficker, Sloan has finally found a lifeline to cling to, even if it’s meant compromising her morals. She was in dire straits trying to pay for her brother’s care until she met Asa. But as Sloan became emotionally and economically reliant on him, he in turn developed a disturbing obsession with her—one that becomes increasingly dangerous every day.
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Triggering and poor narration
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By: Colleen Hoover
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In 1919, Kathryn Wombacher finds a lonely-hearts ad placed by one Walter Andrew: "Would be pleased to correspond with a refined young lady or widow. Object, matrimony.” Kathryn and Walter fall in love and marry within weeks. What Kathryn doesn’t know...is that her new husband is really James “Bluebeard” Watson, a notorious West Coast serial killer who catfished and married 22 women, murdering 10.
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Artemis
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Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.
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A ferrari with no motor
- By will on 11-18-17
By: Andy Weir
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Do You Remember?
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Tess Strebel can’t recognize her own face. She can’t recognize her home. Her bedroom is unfamiliar. And she can’t remember the handsome stranger lying next to her in bed. A stranger who claims he’s her husband. Tess reads a letter in her own handwriting, composed during a rare lucid day, explaining her life as it now exists: she was in a terrible car accident one year ago. Every morning, she wakes up unable to remember most of the last decade. Including her own wedding.
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Eh
- By Zoe on 03-16-24
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Mad Love
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They were madly in love. The perfect couple. That was the story everyone in South River believed...until Gin Talcott and Adam Archer are found shot in their bed. Adam is dead at the scene. Gin is fighting for her life. Detectives Greta Jessup and Finn Pate are assigned to the case. Greta has a long history with Gin’s first husband, Eddie, and is determined to protect his 18-year-old twins. Piper discovered the bodies. Daniel is missing—and so is Adam’s gun.
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Surprised
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Tessa and Charlie have been best friends since childhood. Now Tess is a famous travel writer who documents her adventures on social media while Charlie rarely leaves the safety of her home, living in fear after narrowly escaping a vicious attack years earlier. But despite their different lives, their bond of friendship remains unbreakable...even in death.
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Beautiful
- By Daniel Garcia on 07-22-24
By: Margot Hunt
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What listeners say about The Cut
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- 🎧📚 addict📚🎧
- 08-25-24
Entertaining but confusing at times
Amazing narrators and performance, but the back and forth time changes had me confused for most of the story. Too many characters and points of views didn't help either.
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- Pam Ferguson
- 09-28-24
Great story. Great narration
Totally gripping. Loved the way the story wove the present and the past together. I couldn’t stop listening.
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- Amazon Customer
- 10-12-24
Improved towards the end
As many others noted, I had a hard time following the story because of all the time leaps. Also the narration had minimal changes between characters. Needed a better way to alert the reader that those changes were occurring.
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- Melinda Kucsera
- 08-27-24
confusing story that delights in bullying
I dnf'd this book because it was confusing. chapters jump around in time and the characters are not likable. the stories spends a lot of time on the kids and bullying and it's really tedious to listen to so I just stopped. I'm going to go find something else.
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- Storylover
- 09-01-24
Worth your time indeed
First, both performers were brilliant. The writing accommodated both actors’ talents; the two are equally effective in developing characters, their local dialects and accents—scouse, Scots, and all the others. I’ve listened to Mr. Armitage quite a bit in recent years, including his first book, which I enjoyed immensely. So, I am an admirer and am likely giving some latitude for my bias. That said, I’m equally as impressed with Mr. Dudman as he proved to be Armitage’s equal in narration and interpretation. More impressive is that he is such a young man.
Thematically, The Cut, well, cuts. Rather, for some, it can trigger (ala Carrie), so be forewarned, prepared, and in the right headspace. Sometimes for me, audiobooks are my bedtime stories. This book is NOT a D.I. Jackman and Marie adventure. It demands more attention and respect. It required extra focus and active listening. I stopped my first attempts at nighttime listening, and opted to devote a couple of days to give it its proper due.
What some have identified in the story as challenging and perhaps confusing, I also understand. The prose is dense, and likely some of the detail could have been tempered. For example, (really this isn’t meant to be about me, but …) I’ve a musical background. Much of the descriptive narrative about the cello, rosin, and horse hairs landed well and pictorialized scenes nicely. However, descriptions about musical composers and pieces, despite that I understand and "speak" the musical language, I found superfluous. The musical erudition did not add anything to the story. Similarly, much of the film industry jargon seemed to ramble on a bit.
I’ll try to avoid spoilers, but some of the story might have benefited from rearranging just a bit. For instance, I think I would have liked the Max reveal later—toward the climax closer to the rather than forecasted in earlier chapters. Contemporary references, e.g., social media and dropping name brands, well, made me wonder if some product placement deals might have been contracted. And, these types of references are soon dated in our constantly changing world, which can be corny or nostalgic depending on any given audience member's frame of mind at any given time.
What is also evident is that The Cut is Mr. Armitage’s personal journey and was a somewhat cathartic effort. For this reason, aforementioned latitude is warranted. Every artist should be allowed at least one work where s/he lets it all hang out. Finally, for those who intend to read The Cut, and I recommend you do, it’s not entirely a whodunnit (it’s pretty clear early on).
I hope Richard Armitage continues writing as I enjoy all his work across performance media and genres.
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- AL
- 09-14-24
An intriguing tail. Details are amazing.
Really really tough story to listen to. The voiceover was excellent. And the twist and turns were so real. Absolutely worth the time to listen to. Thank you for your talent.
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- Teresa
- 09-07-24
Nice twist
It took a little while to get into this one, but once it took hold it was hard to stop listening. Great character build, and the end is well done. I feel like justice or at least the truth was found in the end.
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- Mary @ Lyndhurst
- 08-26-24
Couldn’t stop listening!
From the time I started listening to this book I was hooked. The narration of this story was amazing which kept me listening and wanting more details.
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- Beth
- 09-02-24
the story
I was taken by how the story was so woven and the way the ending was enthralling to listen to. Please do more writing. You have a gift in the way you tell a story.
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- Amazon Customer
- 09-08-24
Decent
Not overly exciting but a decent story. Good general plot - would’ve liked more suspense maybe
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