The Death of King Arthur
A New Verse Translation
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Narrated by:
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Bill Wallis
About this listen
First appearing around 1400, The Alliterative Morte Arthur, or The Death of King Arthur, is one of the most widely beloved and spectacularly alliterative poems ever penned in Middle English. Now, from the internationally acclaimed translator of Sir Gawain and the Green Knight, comes this magisterial new presentation of the Arthurian tale, rendered in unflinching and gory detail. Following Arthur's bloody conquests across the cities and fields of Europe, all the way to his spectacular and even bloodier fall, this masterpiece features some of the most spellbinding and poignant passages in English poetry. Never before have the deaths of Arthur's loyal knights, his own final hours, and the subsequent burial been so poignantly evoked.
Echoing the lyrical passion that so distinguished Seamus Heaney's Beowulf, Simon Armitage has produced a virtuosic new translation that promises to become both the literary event of the year and the definitive edition for generations to come.
©2012 Simon Armitage. All rights reserved. The text of the ‘Alliterative Morte Arthure’ printed alongside Simon Armitage’s translation is taken from the book King Arthur’s Death edited by Larry D. Benson, published by the University of Exeter Press. All rights reserved. (P)2012 AudioGoListeners also enjoyed...
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The storyline
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London: 1968. Liz Houghton is languishing as an obituary writer at a London newspaper when a young girl’s disappearance captivates the city. If Liz can break the story, it’s her way into the newsroom. She already has a scoop: Her best friend Marisa is a police officer who is assigned to the case. Liz follows Marisa to Dorset, where they make another disturbing discovery. Over two decades earlier, three girls disappeared while evacuating from London. One was found murdered in the woods near a train line. The other two were never seen again.
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Skip it.
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The definitive version!
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Perfect Audio.
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Wonderful narration. Mediocre stories.
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Who Else Laughed, Cried, and Shuddered?
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The Bright Sword
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A gifted young knight named Collum arrives at Camelot to compete for a spot on the Round Table, only to find that he’s too late. The king died two weeks ago at the Battle of Camlann, leaving no heir, and only a handful of the knights of the Round Table survive. They aren’t the heroes of legend, like Lancelot or Gawain. They’re the oddballs of the Round Table, from the edges of the stories, like Sir Palomides, the Saracen Knight, and Sir Dagonet, Arthur’s fool, who was knighted as a joke.
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A rambling woke mess
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What listeners say about The Death of King Arthur
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Christopher
- 04-14-16
Hardcore Arthur Fans and Medievalists Will Love It
Probably hardcore Arthur fans and Medievalists will be the only ones seeking this out, and to them I say, "what are you waiting for?"
The really cool thing about this book that the official blurb doesn't make clear is that the 10 hour length INCLUDES BOTH THE TRANSLATION AND THE MIDDLE ENGLISH ORIGINAL, as well as some short introductory essays. That means you get to hear it first in Modern English, (It's a nice translation that preserves the alliterative verse; Middle English isn't really all that different from Modern, so the translation does much less violence to the work than a verse translation of poem in a truly foreign language.) and then in Middle English… And that's great – once you've absorbed the details of the story, you can savor the sound of the original.
Though I wouldn't know correct Middle English pronunciation from wrong, (does anyone, really?) Bill Wallis seems as fluent in Middle as Modern English, and his somewhat ragged-sounding voice suits the tone of the text perfectly.
As for the story: this is a more active, classically-heroic Arthur than you see elsewhere – he fights in the front lines and wrestles with monsters. And Mordred, though still the villain, is interestingly reluctant about it at first. Lancelot has only a very minor role. It's a strange, and somehow still fresh-feeling, take.
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- DARBY KERN
- 06-11-17
It may be what you want, it's not for me.
What did you like best about The Death of King Arthur? What did you like least?
I purchased this audiobook thinking that it was a retelling of Le Morte D'Arthur (The Death of Arthur) and not considering that it was an alliterative verse version of it. Some people will love that aspect of it, but I became too aware of it while I listened and had a hard time focusing on the story being told.Had I been reading it I may have done much better.
I am a fan of the tales of King Arthur, and have been for 40 years. This is an artistic, and wonderful retelling, but for the reasons I mentioned above I could not finish it. The fault is entirely mine, and I want to stress that those who appreciate this type of verse will probably LOVE it.
Would you be willing to try another book from Simon Armitage (translator)? Why or why not?
Possibly his translation of Gawain and the Green Knight. We shall see.
Have you listened to any of Bill Wallis’s other performances before? How does this one compare?
I wasn't familiar with Wallis before and I have nothing bad to say about his reading. He reads with an assurance and understanding of the verse that is great to behold.
If this book were a movie would you go see it?
Yes. Without doubt.
Any additional comments?
Please don't let my comments detract you from purchasing this book if you really want to. It was just a personal deficiency that kept me from enjoying it.
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