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Unapologetic Expression

By: André Marmot
Narrated by: André Marmot, Saffron Coomber, Theo Solomon
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Publisher's summary

A lively, subversive history of the new UK jazz wave, encapsulating its revolutionary spirit and tracing its foundations to birth of the genre itself.

'Not solely a book about jazz, or even a nascent cultural shift; it's a record of a pivotal moment in UK history.' BIG ISSUE

By the end of the last century, jazz music was considered by many to be obsolete and uncool, a genre appreciated only by out of touch white men with deeply questionable taste. And yet, by 2019, a new generation of UK jazz musicians was selling out major venues and appearing on festival line-ups around the world. How has UK jazz rehabilitated its image so totally in twenty-five years? And how did it ever become uncool in the first place?

Reaching back to the roots of jazz as the 'unapologetic expression' of oppressed peoples, shaped by the forces of slavery, imperialism and globalisation, Andre´ Marmot places this new wave within the wider context of a divided, postcolonial Britain navigating its identity in a new world order. These artists have crafted a sound which reflects the nation as it is today - a sound connected to the very origins of jazz itself.

Drawing on eighty-six interviews with key architects of this jazz renaissance and those who came before them - from Shabaka Hutchings, Nubya Garcia and Moses Boyd to Gilles Peterson, Courtney Pine and Cleveland Watkiss - Unapologetic Expression captures the radical spirit of a vital British musical movement.

'This is history almost in real time, with the con trails still visible in the sky . . . [Marmot] can really write. Not in a fancy way, but with a clarity of thought and a simple elegance of expression that make it a pleasure to turn from page to page . . . as full of life and energy, as sparky and challenging, as the music itself.' RICHARD WILLIAMS, THE BLUE MOMENT

©2024 André Marmot (P)2024 Faber & Faber
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For Followers of Today's UK Jazz Scene

I follow the UK Jazz scene and feature most of the artists on my weekly radio show. So I was thrilled to listen to this book. I learned a great deal more about the scene, the venues, the histories, the performers that it's hard to learn sitting on the U.S. side of the pond. Marmot obviously did a lot of research and does a good job of sharing what he's learned. I really enjoyed learning. more about the scene and the UK musical history.

The interviews with the various "players" in the scene which are interspersed throughout add tremendously to the information presented. The interviews are my favorite part. I loved hearing commentary from Gilles Peterson, Shabaka Hutchings, Moses Boyd, Nubya Garcia and all the others. I also loved that 2 other narrators: Saffron Coomber and Theo Solomon did the voices of the people that Marmot interviewed. Both narrators did a great job. I'm really glad that you made an audio version!

My only feedback to Andre Marmot as a narrator is that I wish he spoke more clearly in some sections of the book. When you're providing a lot of information it's important to not oblige your listeners to relisten multiple times because they can't understand what you're trying to tell them.

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