Showing titles in Business Aspects

Singer-songwriter. Trailblazer. Mastermind. The Beatles of her generation. From her genre-busting rise in country music as a teenager to the economic juggernaut that is the Eras Tour, Taylor Swift has blazed a path that is uniquely hers. But how exactly has she managed to scale her success—multiple times—while dominating an industry that cycles through artists and stars like fashion trends? How has she managed to make and remake herself time and again while remaining true to her artistic vision?

For aspiring and seasoned music producers alike, the lack of transparency in the industry can lead to confusion, costly mistakes, and missed opportunities. Without a clear set of guidelines, many talented producers stumble not because of a lack of ability but because they simply are not equipped with the right knowledge or strategy to navigate industry demands. This audiobook is here to serve as a comprehensive guide-a rulebook that translates the complexities of the music business into actionable steps.

For more than thirty years, All You Need to Know About the Music Business has been universally regarded as the definitive guide to the music industry. Now in its eleventh edition, Passman leads novices and experts alike through what has been the most profound change in the music business since the days of wax cylinders and piano rolls: streaming. For the first time in history, music is no longer monetized by selling something—it’s monetized by how many times a listener streams a song.

How to Succeed in the Music Industry in 2025 and Beyond is your ultimate guide to thriving as an independent artist, producer, or DJ in today’s digital landscape. This audiobook breaks down the essential steps to build your brand, market your music, and create multiple income streams while staying true to your artistry.

Are you an independent music artist who does not want to tour, but wants to make a living from selling your music on the internet? Have you ever wanted to know how many songs you have to stream to make a living off of your music? This book provides a simple internet music marketing formula to calculate how many songs you would have to sell (have streamed) to make a living off of your music. Factoring in things like average stream rate across different streaming sites, costs associated with distributing your music online and more, this book will apply rules of algebra to show you a basic ...

Enjoy the enthralling world of street performance, also known as busking. Packed with insights and inspiration for buskers, their fans, and people who are just curious about the many faces of street performance. Covers musicians, circus routines (jugglers, fire dancers, tight-wire) and street theater (puppeteers, mime, cosplay, human statues). Guitarists in the boisterous fish market of the Pacific Northwest; didgeridoo virtuosi on the Melbourne malls; classical quartets in the London Underground--there is no end to the variations. Ranging from Bach to the often zany Art of Noise covers, ...

Now it can be told! The true, behind-the-scenes story of Casablanca Records, from an eyewitness to the excess and insanity. Casablanca was not a product of the 1970s, it was the 1970s. From 1974 to 1980, the landscape of American culture was a banquet of hedonism and self-indulgence, and no person or company in that era was more emblematic of the times than Casablanca Records and its magnetic founder, Neil Bogart.

It’s no secret that the music industry has changed substantially over the past several years, and will likely continue to change for many years to come. Now more than ever it’s vital that musicians become familiar with the rights they have in their music and how they can make money in this digital world. "The Straightforward Guide to the Music Biz" is a must-read for anyone looking for a clear, simple, and concise overview of how the music industry is organized and the typical contracts musicians will encounter. Praise for "The Straightforward Guide to the Music Biz"... "The author, a ...

In the early '80s, the music industry wrote off hip-hop as a passing fad. Few could or would have predicted that the improvised raps and raw beats busting out of New York City's urban underclass would one day become a multimillion-dollar business and one of music's most lucrative genres. Among those few were two visionaries: Russell Simmons, a young black man from Hollis, Queens, and Rick Rubin, a Jewish kid from Long Island.

Renowned music manager Rikki Stein has spent nearly six decades moving musicians around the world, and this book recounts a lifetime of adventure on the road. Always in the right place at the right time, Rikki was part of the great countercultural moments of the last century, from Woodstock and the Vietnam War Moratorium March to the launch of the Glastonbury Festival.

In 1975, five young employees of a sclerotic William Morris agency left to start their own strikingly innovative talent agency. In the years to come, Creative Artists Agency would vault from its origins in a tiny office on the last block of Beverly Hills to become the largest and most imperial, groundbreaking, and star-studded agency Hollywood has ever seen - a company whose tentacles now spread throughout the world of movies, music, television, technology, advertising, sports, and investment banking far more than previously imagined.

Derek Sivers was a professional musician before he started a music distribution company that helped 150,000 musicians sell their music to over four million people. So after years of living the problems, he was able to learn the solutions.

Thomas Dolby's hit songs "She Blinded Me with Science" and "Hyperactive!" catapulted him to international fame in the early '80s. A pioneer of New Wave and Electronica, Thomas combined a love for invention with a passion for music, and the result was a new sound that defined an era of revolutionary music. But as record company politics overshadow the joy of performing, Thomas finds a surprising second act.

Musical Truth Volume 3 completes club and radio DJ-turned author/ researcher Mark Devlin’s trilogy of books, exposing the real nature of the corporate music industry and those that populate it.

For almost 30 years as label boss, producer and talent conductor at XL Recordings, Richard Russell has discovered, shaped and nurtured the artists who have rewritten the musical dictionary of the 21st century, artists like The Prodigy, The White Stripes, Adele, M.I.A., Dizzee Rascal and Giggs. Growing up in north London in thrall to the raw energy of 80's US hip hop, Russell emerged as one part of rave outfit Kicks Like a Mule in 1991 at a moment when new technology enabled a truly punk aesthetic on the fledgling free party scene.

Allen Klein was like no one the music industry had seen before. The hard-nosed business manager became infamous for allegedly catalyzing the Beatles' breakup and robbing the Rolling Stones, but the truth is both more complex and more fascinating.

Run Your Music Business is the second book in the Music Law Series written by experienced entertainment lawyer Audrey K. Chisholm, whose clients have been featured on MTV, American Idol, and VH1. Run Your Music Business picks up where her first book, Start Your Music Business, left off.

Start Your Music Business is a simple guide for songwriters, producers, music publishers, independent record labels, artists, bands, musicians, and individuals in the music industry who want to legally start and grow a successful music business.

The DJ Bible is the largest and most comprehensive guide available for DJs. This is the ultimate guide on how to be a professional and successful DJ. This book gives you insight into the history of the culture, practical advice for new and professional DJs alike, how to get started as a DJ, and information on proven business models for DJs. Origins of the culture How to start a DJ business What equipment you need How to make money as a DJ Which gigs you need to take, and which ones to pass Guide for making sample mixes and a professional portfolio How to use your gear How to transition, ...

In his groundbreaking book ‘Musical Truth,’ DJ-turned author/ researcher Mark Devlin showed how the true nature of the corporate music industry tells a very different story to what’s conveyed on its glossy, glamorous surface. The manipulations run so deep, however, that the full story couldn’t be told in just that first book. Here, in Volume Two, he continues to guide listeners through the dark labyrinth of machinations.