Showing titles in Family Life

In a suburb outside Cleveland, a community of Indian Americans has settled into lives that straddle the divide between Eastern and Western cultures. For some, America is a bewildering and alienating place where coworkers can't pronounce your name but will eagerly repeat the Sanskrit phrases from their yoga class. Harit, a lonely Indian immigrant in his mid-40s, lives with his mother, who can no longer function after the death of Harit's sister, Swati.

From the author of the beloved novel Three Junes comes a rich and commanding story about the accidents, both grand and small, that determine our choices in love and marriage. Greenie Duquette, openhearted yet stubborn, devotes most of her passionate attention to her Greenwich Village bakery and her four-year-old son, George. Her husband, Alan, seems to have fallen into a midlife depression, while Walter, a traditional gay man who has become her closest professional ally, is nursing a broken heart.

Max Walker is a golden boy. Attractive, intelligent, and athletic, he's the perfect son. Max's mother, a highly successful criminal lawyer, is determined to maintain the facade of effortless excellence she has constructed through the years. Now that the boys are getting older, now that she won't have as much control, she worries that the facade might soon begin to crumble. Adding to the tension, her husband, Steve, has chosen this moment to stand for election to Parliament. The Walkers are hiding something, you see. Max is special. Max is different. Max is intersex.

Jenn Henderson is proud of the church-centered life she's created for her family. She prays each morning, attends worship every Sunday, and confidently takes up the struggle to defend traditional marriage when she learns marriage licenses are being issued to gays and lesbians in nearby San Francisco. But the certainty that she is living right falters after her teenage son, Josh, swallows a bottle of sleeping pills. Her fear deepens when she discovers that Josh struggles with same-sex attraction. If she's living right, how can Josh be gay?

When it first gets announced, the Leteo Institute's memory-alteration procedure seems too good to be true to Aaron Soto; miracle cure-alls don't tend to pop up in the Bronx projects. Aaron can't forget how he's grown up poor, how his friends all seem to shrug him off, and how his father committed suicide in their one-bedroom apartment. Then Thomas shows up. The love Aaron discovers may cost him what's left of his life. But since Aaron can't suddenly stop being gay, Leteo may be the only way out.

In the aftermath of a flood that washes away much of a small Tennessee town, evangelical preacher Asher Sharp offers shelter to two gay men. In doing so, he starts to see his life anew - and risks losing everything: his wife, locked into her religious prejudices; his congregation, which shuns Asher after he delivers a passionate sermon in defense of tolerance; and his young son, Justin, caught in the middle of what turns into a bitter custody battle. With no way out but ahead, Asher takes Justin and flees to Key West, where he hopes to find his brother, Luke, whom he'd turned against years ago after Luke came out.

On Earth We're Briefly Gorgeous is a letter from a son to a mother who cannot read. Written when the speaker, Little Dog, is in his late 20s, the letter unearths a family's history that began before he was born - a history whose epicentre is rooted in Vietnam - and serves as a doorway into parts of his life his mother has never known, all of it leading to an unforgettable revelation. At once a witness to the fraught yet undeniable love between a single mother and her son, it is also a brutally honest exploration of race, class and masculinity.

New to a small town, Jackie and Paula envision a quiet life for their kids: a young adopted son and two teenage foster children, including the troubled Star. However, they quickly butt heads with their neighbor, Clementine, who disapproves of their lifestyle and is incensed when Star befriends her spirited horse, Comet. Haunted by past tragedy and unable to properly care for Comet, Clem nevertheless resents the bond Star soon shares with the horse.

When young queer dancer Wilbess “Bessy” Mulenga is arrested by corrupt police, fresh-from-the-village rookie lawyer Grace Zulu takes up his cause in her first pro bono case. Presented with a freshly beaten client, Grace protests to the police and gets barred from accessing Bessy, who then disappears from the system—and the world—without a trace. As she fights for justice for Bessy, Grace must navigate a dangerous world of corrupt politicians, traditional beliefs, and deep-seated homophobia.

The time has finally come for Brendan and Casper to return to Verona, Indiana. Both have graduated from Indiana University, and Brendan has a teaching and assistant coaching job waiting for him at his old high school. The pair purchase their own place and settle into a comfortable life, until three teenage boys arrive to turn their world upside down. Brendan and Casper find themselves facing life’s greatest challenge - parenthood.

If she’s being honest, Sammie Lucas is scared of her son. Working from home in the close quarters of their Florida house, she lives with one wary eye peeled on Samson, a sullen, unknowable boy who resists her every attempt to bond with him. Uncertain in her own feelings about motherhood, she tries her best—driving, cleaning, cooking, prodding him to finish projects for school—while growing increasingly resentful of Monika, her confident but absent wife.

When Mae and Ari meet outside a crowded gay bar during their final year of university, their connection is instant, sparking a lifetime friendship. Stubborn and no stranger to breaking hearts, Mae needs Ari's bright light to guide her out of her self-centered ways. Reeling from a scandal in New York, vibrant, charming Ari sees Mae as an anchor keeping him grounded. Though they are young, ambitious, and queer, both Mae and Ari secretly daydream about settling down somewhere with a garden, children, and dogs, building a life that feels like home.

It’s London, 2014, and Hal Lancaster, son and heir of Henry, Duke of Lancaster, is in a holding pattern: his mother is dead, his father is dying or remarrying or both, his siblings are fighting, his internship is pointless, and nobody will leave him alone. Everything is as it should be and yet nothing is right. Over the course of a year of partying, drinking, and flirting to dubious consequence, Hal is tested by brutal family legacies, Catholic guilt, and the terrifying possibility of being loved. The House of Lancaster will never be the same.

Being the middle son is never easy, especially when your brothers are perfect. T.K. is 14 and has a true talent for getting into trouble. He tries to keep his temper under control, but it’s a difficult task with so many freaking jerks around. T.K. feels like his life has been flushed down the toilet, but soon he’s able to join the football team, and then there’s Finn, the hottie newly hired to help out on the farm. T.K. believes he might finally be happy, but when he spots a blond angel, he realizes he didn’t know what happiness means.

By day, Mary Ballard is dutiful lady’s maid to Charlotte Walden, a wealthy and accomplished belle of New York City high society. But Charlotte would never trust Mary again if she knew the truth about her devoted servant’s past. On her nights off, Mary sheds her persona as prim and proper lady’s maid to reveal her true self - Irish exile Maire O’Farren. She finds release from her frustration in New York’s gritty underworld - in the arms of a prostitute and as drinking companion to a decidedly motley crew consisting of members of a dangerous secret society.

Fallon Foster is Whiskey Springs’ self-proclaimed token lesbian. She isn’t a token any longer. After her year-long affair with best friend Andi Maguire ends, Fallon hopes to earn the trust and win the heart of the town’s newest resident, Riley Main. Ghosts from the past still haunt Fallon and Riley. Informed by loss and betrayal, the pair endeavors to find their way to each other. Along the way, their growing affection and burgeoning relationship will change the lives and the paths of more people than Riley and Fallon could imagine.

After Betty Ramdin’s husband dies, she invites a colleague, Mr. Chetan, to move in with her and her son, Solo. Over time, the three become a family, loving each other deeply and depending upon one another. Then, one fateful night, Solo overhears Betty confiding in Mr. Chetan and learns a secret that plunges him into torment. Solo flees Trinidad for New York to carve out a lonely existence as an undocumented immigrant, and Mr. Chetan remains the singular thread holding mother and son together.

When Margaret's fiancé, John, is hospitalized for depression in 1960s London, she faces a choice: carry on with their plans despite what she now knows of his condition, or back away from the suffering it may bring her. She decides to marry him. Imagine Me Gone is the unforgettable story of what unfolds from this act of love and faith. At the heart of it is their eldest son, Michael, a brilliant, anxious music fanatic who makes sense of the world through parody.

When his father falls ill, Andrés, a professor of public health, returns to his suburban hometown to tend to his father's recovery. Reevaluating his rocky marriage in the wake of his husband’s infidelity and with little else to do, he decides to attend his 20-year high school reunion, where he runs into the long-lost characters of his youth.

As a rebellious teenager, Honey managed to escape her father’s circle of influence and reinvent herself in a world of art and beauty, working for a high-end auction house in Los Angeles. Now in her twilight years, she decides to return home and unexpectedly falls in love. But in her family, nothing has changed. When her grandnephew Michael bursts into her life in what appears to be a drug-fueled frenzy, and her Lexus gets jacked, it’s hard to keep minding her own business. As old cruelties begin to resurface, Honey is no longer sure what she really wants—to forgive or to avenge.