Showing titles in Gothic

Tabby has a peculiar gift: She can communicate with the recently departed. It makes her special, but it also makes her dangerous. As an orphaned child, she fled with her sister, Alice, from their charlatan aunt Bellefonte, who wanted only to exploit Tabby's gift so she could profit from the recent craze for seances. Now a young woman and tragically separated from Alice, Tabby works with her adopted father, Eli, the kind caretaker of a large Boston cemetery.

Sixteen-year-old Sage is a lonely child. Her adoptive parents watch her obsessively, as if studying her for warning signs of...something. And maybe they're right to - even she can't make sense of the strange things she sees and hears. She possesses knowledge that other teenagers don't, that her parents and teachers - no adult - could possibly have. So when Sage finally makes a friend who understands her alarming gift, he becomes her confidant, a precarious link to the truth about who she really is.

1813. Lizzie's beloved older sister Esme is sold in marriage to the ageing Lord Blountford to settle their father's debts. One year later, Esme is dead, and Lizzie is sent to take her place as Lord Blountford's next wife. Arriving at Ambletye Manor, Lizzie uncovers a twisted web of secrets, not least that she is to be the fifth mistress of this house. Marisa. Anne. Pansy. Esme. What happened to the four wives who came before her? In possession of a unique gift, only Lizzie can hear their stories, and try to find a way to save herself from sharing the same fate.

Born on the Isle of Skye, Darcy is a beautiful woman of many gifts. Fortune-telling is her forte, and she remains the only Druid who could unlock the secrets - and desires - of a dragon king. His name is Warrick. And now that Darcy's seen into his dragon heart, nothing will ever be the same.

Hugh and his men are faced with fighting creatures only thought to live in legend but which have been brought to Earth by evil bent on annihilating all the realms. That is Hugh's life - and he loves it. At least he did until he found himself staring into the angelic, innocent face of Lady Mina of Stone Crest. In all the time he has led the Shields Hugh has trusted his instinct to keep his men alive, yet now he doesn't know what to believe. Everything points to Mina as the evil summoning the creatures, but she proclaims her innocence. He should be able to see through her lies, if she is indeed lying, but his attraction to her blinds him to even that.

"What are you wearing under this dress?" he asked, his mouth brushing hers, the words whisper-soft. Not what she expected him to say. "E-excuse me?" His teeth sank into her lower lip, making her yelp. "Focus." On what? The demon club? The humans dying downstairs? The fact that you're a f--king vampire? Where should I begin? He sighed, his forehead falling to hers. "Astasiya, we have very little time to sort this before the Conclave. I need you to work with me. Both our lives depend on it. What are you wearing?"

After arriving on Block Island to find her birth mother, Blake Bronson becomes convinced she’s the heroine of a gothic novel—the kind that allowed her intermittent escape from a traumatic childhood. How else to explain the torrential rain, the salt-worn mansion known as White Hall, and the restless ghost purported to haunt its halls? But before Blake can discern the novel’s ending, she’s found dead, murdered in a claw-foot tub. The proprietress of White Hall stands accused.

In the tradition of Shirley Jackson’s We Have Always Lived in the Castle, a darkly humorous modern classic of Scottish literature about a doomed adolescent growing up in the mid-19th century—featuring a new introduction by Maggie O’Farrell, award-winning author of Hamnet.

Struggling with money, raising a child alone, and fleeing a volatile ex, Jess McMachen accepts a job caring for an elderly patient. Flo Gardner—a disturbed shut-in and invalid. But if Jess can hold this job down, she and her daughter, Izzy, can begin a new life. Flo's vast home, Nerthus House, may resemble a stately vicarage in an idyllic village, but the labyrinthine interior is a dark, cluttered warren filled with pagan artefacts. And Nerthus House lives in the shadow of a malevolent secret. A sinister enigma determined to reveal itself to Jess and to drive her to the end of her tether.

Millicent Foxboro is haunted. Not by ghosts, but by the anguish of her past and the uncertainty of her future. After all, even in the progressive year of 1928, most people would balk at hiring a woman who’d spent two months in a mental ward for traumatic amnesia. So when an uncommon assistantship to a reclusive Professor of mythology falls into her lap with an ungodly salary attached, her desperation for stability overrides her cautious nature.

I'm an offering. A test. A pawn in an agreement I know little about. Fly to Andorra Sector. Allow them to experiment. Mate an X-Clan wolf alpha. Hope for the best. Those are my orders. My fate. My current existence. There's nowhere to run, and the moon is a clock I can't ignore. One of these alphas will claim me, assuming our genetics are a match. And if not, well, that's a fate worse than death.

Just like all little girls, I hoped I was special and that one day my powers would be revealed. My parents would be bewildered, my friends would equally worship and envy me, and my bullies would run away in terror! Nothing happened when I turned 10. I didn't grow wings at 12, still wasn't able to make things move with my mind at 14, and at 16, I was already too old to believe in such nonsense. Well, what do you think happened the day I turned 18? I got the confirmation that I was only human. In the mail! Oh, and also an invitation to apply to the Grim Reaper Academy.

Ruth and Nat are orphans packed into a house full of abandoned children run by a religious fanatic. To entertain their siblings, they channel the dead. Decades later Ruth's niece, Cora, finds herself accidentally pregnant. After years of absence, Aunt Ruth appears, mute and full of intention. She is on a mysterious mission, leading Cora on an odyssey across the entire state of New York on foot. Where is Ruth taking them? Where has she been?

Only a woman with an iron backbone could succeed as an undertaker in Victorian England, but Violet Morgan takes great pride in her trade. While her husband, Graham, is preoccupied with elevating their station in society, Violet is cultivating a sterling reputation for Morgan Undertaking.

As the heir to the Halliday name and fortune, Win's entire life has been carefully orchestrated from the moment he came into the world. He's never been allowed to aspire for anything outside that plan, including love. After the tragedy that followed his younger brother chasing his foolish heart, the Halliday Matriarch insists on picking a bride that's up to her outrageously high standards. Unfortunately, the only woman Win would ever consider marrying isn't found anywhere on his mother's list.

If it was still beating. Angus MacKay has been undead for almost 500 years and it's not often something, or someone, surprises him. Until Emma Wallace. The sight of this luscious agent from the CIA's elite Stake-Out team was enough to stop Angus in his tracks. But then he discovers that she's a vampire slayer, intent on killing the "monsters" who killed her parents. And it's Angus's job to stop her.

When Kian confesses his true nature, Syssi is not as much shocked by the revelation as she is wounded by what she perceives as his callous plans for her. If she doesn't turn, he'd be forced to erase her memories and let her go. His family's safety demands secrecy - no one in the mortal world is allowed to know that immortals exist. Resigned to the cruel reality, Syssi is determined to enjoy what little time she has with Kian, one day at a time.

New Hampshire, 1865. Marion Abbott is summoned to Brawders House asylum to collect the body of her sister, Alice. She’d been found dead after falling four stories from a steep-pitched roof. Officially: an accident. Confidentially: suicide. But Marion believes a third option: murder. Returning to her family home to stay with her brother and his second wife, the recently widowed Marion is expected to quiet her feelings of guilt and grief. Just when the search for the truth seems hopeless, a stranger approaches Marion with chilling words: I saw her fall.

When my father arranged for me to marry the heir to the Costa crime family, I swore I’d do anything to escape that fate. I have more to offer than being some man’s arm candy and producing heirs. Marcelo Costa might be my fiancé, but he’ll never be my husband. So when he and his father are killed in a car bombing, I consider myself lucky. No longer will I have to go from being a mafia princess to becoming a mafia wife, I can now attend the Sicuro Academy—a private college created for mafia children like me.

In this original collection from Skyboat Media and Blackstone Publishing, Elizabeth Gaskell showcases the height of gothic fiction's ability to delight in the otherworldly and to dig deep into what truly haunts us. Set against the backdrop of the Salem witch trials, "Lois the Witch" reveals much about the complicity of mankind. Recently orphaned, Lois is forced to leave the English parsonage that had been her home and sail to America.