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c a r v e d, Kate Mapother's first collection of poetry, explores life and loss in its varied dimensions. At once gut-wrenching and hopeful, these poems take the listener by the hand and heart through themes of sexuality, God, love, grief, and family. The writing is rich in imagery and substance, leaving no doubt in the listener's mind about Mapother's ability to plumb the depths of hard emotion, then land you somewhere soft. These poems don't pretend to know. They simply witness.

Renia White is a first-time author. Her debut collection, Casual Conversation, was chosen by Aracelis Girmay as a Blessing the Boats Selection. Named in honor of Lucille Clifton’s National Book Award-winning collection, Blessing the Boats Selections spotlight new poetry collections by women poets of color. Previous Blessing the Boats Selections include Letters to a Young Brown Girl by Barbara Jane Reyes and Year of the Dog by Deborah Paredez.

The poet's art is revealed in stages in this "making-of" book, where we watch as poems take shape - first as dreams or memories, then as drafts, and finally as completed works set loose on the world. In the long poem "Must We Mean What We Say", a woman reader narrates in prose the circumstances behind poems and snippets of poems she receives in letters from a stranger. Who made up whom?

“Il libro della follia” è la prima traduzione integrale in italiano di "The Book of Folly", che Anne Sexton diede alle stampe nel 1972. Lo stile confessionale che aveva reso celebre l’autrice, fruttandole nel 1967 il premio Pulitzer, giunge qui alla piena maturità trasformandosi nell’allegoria di un Gran Teatro psichedelico. La Signora Benestante che scrive occasionalmente versi rispettando le forme metriche lascia il posto, definitivamente e consapevolmente, al personaggio della Poetessa Martire della società benpensante e all’aspirante suicida, in un rovesciamento parodico dei valori patriarcali.

Softening Time is both autobiography and self-help, poetry and inspiration. Drawing on events in her own life, particularly her experiences as a mother, daughter, sister, and friend, Brower writes poignantly on themes of love, loss, healing, and rebirth.

In this stunning debut, John Belk looks at the world of professional wrestling to excavate the real within the artificial and explore the projections we create, run from, and delight in. In The Gardens of Our Childhoods, the distance between spectacle and reality blurs.

Side Notes from the Archivist is a preservation of Black culture viewed through a feminist lens. The Archivist leads listeners through poems that epitomize youthful renditions of a Black girl coming of age in Philadelphia’s pre-funk ’80s; episodic adventures of “the Black Girl” whose life is depicted through the white gaze; and selections of verse evincing affection for self and testimony to the magnificence within Black femme culture at-large.

Fans of Colm Tóibín’s novels, including The Magician, The Master, and Nora Webster, will relish the opportunity to re-encounter Tóibín in verse. Vinegar Hill explores the liminal space between private experiences and public events as Tóibín examines a wide range of subjects—politics, queer love, reflections on literary and artistic greats, living through COVID, and facing mortality.

From Lincoln Center’s inaugural poet-in-residence comes this unflinching collection that intricately mines the experience of being a Black woman in America. A highly anticipated volume from critically acclaimed poet Mahogany L. Browne, Chrome Valley is at once a luminous hymn and a battle cry. Spanning the course of her own life as well as embodying centuries of virulent history, this collection pays solemn tribute to the women who came before her.

In a working-class family that considers sensitivity a “fatal diagnosis,” how does a child grow up to be a poet? What happens when a body “meant to bend & breed” opts not to, then finds itself performing the labor of care regardless? Why do we think our “common griefs” so singular? Bad Hobby is a hard-earned meditation on questions like these—a dreamscape speckled with swans, ghosts, and weather updates.

Dead Dad Jokes is an unflinching take on family, loss and trauma. There is nothing quiet about Schminkey’s debut. Every moment is raw, honest and unforgettable. Dead Dad Jokes brings the impact of addiction into crisp focus while also shattering our simplistic TV preconceptions about it. Ollie never lets the listener slip into the easy sadness of cliche–instead they guide us through the realities and contradictions of losing someone you love and of death–reminding us that they need not be one and the same.

Between three sections of Basquiat-inspired vignettes, Tartarus offers the listener an unflinching look into Chapman’s emerging understanding of his relationship to Black masculinity through familial ties, the oscillation between nihilism and hope, and the ever present tensions felt moving through a state which sees the existence of your body as an inherent danger.

Bestselling author and mom blogger Bunmi Laditan vulnerably shares the prayers she's prayed for her children as inspiration for your own prayer life. Refreshingly relatable, bravely honest, and deeply heartwarming, Help Me, God, I'm a Parent meets you right where you're at and gives voice to the thoughts everyone--even you--has about parenthood that they are afraid to say out loud.

In this deeply intimate second poetry collection, Ocean Vuong searches for life among the aftershocks of his mother's death, embodying the paradox of sitting within grief while being determined to survive beyond it. Shifting through memory, and in concert with the themes of his novel On Earth We're Briefly Gorgeous, Vuong contends with personal loss, the meaning of family and the cost of being the product of an American war in America. At once vivid, brave and propulsive, Vuong's poems circle fragmented lives to find both restoration as well as the epicentre of the break.

From famous spoken word poet, artistic educator, and founder/CEO of “Called to Move” Brandon Leake comes his debut poetry collection Unraveling. In an era of self love, the ability to love oneself is only as effective as the ability to know oneself. Throughout his collection, Leake asks listeners to look at something beautiful, yet still see its flaws. On the flip side, he encourages listeners to look at something evil, and yet still see the beauty it holds.

In pursuit of his brother, a man traverses the fantastical and grotesque landscape of Hell, pondering their now fractured relationship.

Finding Light in Philadelphia is a collection of poetry and short stories that explore several existential questions and society issues. The book takes the listener on an exciting journey filled with thought-provoking questions, excitement, deep reflection, and self-evaluation.

With the same brilliant wit and biting realism that made Love Poems for Married People, Love Poems for People with Children, and Love Poems for Anxious People such hits, John Kenney is back with a brand new collection that tackles the hilarity of life in the office. From waiting in line for the printer and revising spreadsheet after spreadsheet, to lukewarm coffee, office politics, and the daily patterns of your most annoying - and lovable - coworkers, Kenney masterfully captures the warmth and humor of working the "9 to 5" in today's modern era.

This collection of words from Havva Ramadan has its origins during lockdown and her work continues to resonate to this day, finding an even wider audience through her rapidly growing online presence. Now, in her first book, A Voice: Turning Pain into Power, her words take a different form, collected to give us a very personal journey that we can all relate to, reflecting the pain of grief, the struggle of mental health and the journey we need to take to help us collect our pieces and find a way to rebuild ourselves once again.

Colliding with and confronting Shakespeare's The Tempest and postcolonial identity, the poems in Safiya Sinclair's Cannibal beautifully evoke the poet's Jamaican childhood and reach beyond to explore history, race relations in America, womanhood, otherness and exile. She evokes a home no longer accessible and a body at times uninhabitable, often mirrored by a hybrid Eve/Caliban figure. Blooming with intense lyricism and fertile imagery, these full-blooded poems are elegant, mythic and intricately woven.