Showing titles in Asian

Even after a decade of pain, Ivy remains closely tethered to Lily - her blind twin sister - and haunted by her mother’s admission the night their home burned, almost taking Lily’s life: “I’m sorry. Take care of your sister.” Years later, as Lily begins to navigate the world on her own, the police mistakenly toss the blind girl in a cell, and Ivy realizes she must find her twin at all costs…even if that means risking her own freedom.

Olivia Huang Christenson is excited-slash-terrified to be taking over her grandmother’s matchmaking business. But when she learns that a new dating app has made her Pó Po’s traditional Chinese zodiac approach all about “animal attraction,” her emotions skew more toward furious-slash-outraged. Especially when L.A.’s most-eligible bachelor Bennett O’Brien is behind the app that could destroy her family’s legacy....

The Plan was simple: find a cure for the cancer that nearly took her sister’s life. But for Zoey Fong, something about The Plan isn’t working anymore. Maybe it’s her unsuccessful research, maybe it’s burnout. But when a crucial tissue sample accidentally winds up in the hands of a very distracting—and disarmingly handsome—visitor, Zoey jumps at the chance to follow him home to retrieve it.

A deeply personal work about identity and belonging in a nation coming apart at the seams, Homeland Elegies blends fact and fiction to tell an epic story of longing and dispossession in the world that 9/11 made. Part family drama, part social essay, part picaresque novel, at its heart it is the story of a father, a son, and the country they both call home.

A poignant and suspenseful drama that untangles the complicated ties binding three women - two sisters and their mother - in one Chinese immigrant family and explores what happens when the eldest daughter disappears, and a series of family secrets emerge, from the New York Times best-selling author of Girl in Translation.

The daughter of a poor baker in rural Bengal, India, Sabitri yearns to get an education, but her family's situation means college is an impossible dream. Then an influential woman from Kolkata takes Sabitri under her wing, but her generosity soon proves dangerous after the girl makes a single unforgivable misstep. Years later, Sabitri's own daughter, Bela, haunted by her mother's choices, flees abroad with her political refugee lover - but the America she finds is vastly different from the country she'd imagined.

Raised outside of Boston, Ivy’s immigrant grandmother relies on Ivy’s mild appearance for cover as she teaches her granddaughter how to pilfer items from yard sales and second-hand shops. Thieving allows Ivy to accumulate the trappings of a suburban teen - and, most importantly, to attract the attention of Gideon Speyer, the golden boy of a wealthy political family. But when Ivy’s mother discovers her trespasses, punishment is swift and Ivy is sent to China, and her dream instantly evaporates.

Graduating into the long maw of an American recession, Sneha is one of the fortunate ones. She’s moved to Milwaukee for an entry-level corporate job that, grueling as it may be, is the key that unlocks every door: She can pick up the tab at dinner with her new friend Tig, get her college buddy Thom hired alongside her, and send money to her parents back in India. She begins dating women—soon developing a burning crush on Marina, a beguiling and beautiful dancer who always seems just out of reach.

Hojoki is an introspective poem written in the 13th century by the enigmatic Japanese hermit Kamo no Chomei, who as a young man served in the capital as official court poet, but later in life withdrew from society.

Luli Wei is beautiful, talented, and desperate to be a star. Coming of age in pre-Code Hollywood, she knows how dangerous the movie business is and how limited the roles are for a Chinese American girl from Hungarian Hill—but she doesn't care. She’d rather play a monster than a maid. But in Luli's world, the worst monsters in Hollywood are not the ones on screen. The studios want to own everything from her face to her name to the women she loves, and they run on a system of bargains made in blood and ancient magic, powered by the endless sacrifice of unlucky starlets like her.

One evening, Mother tells Daughter a story about a tiger spirit who lived in a woman’s body. She was called Hu Gu Po, and she hungered to eat children, especially their toes. Soon afterward, Daughter awakes with a tiger tail. And more mysterious events follow: Holes in the backyard spit up letters penned by her grandmother; a visiting aunt arrives with snakes in her belly; a brother tests the possibility of flight. All the while, Daughter is falling for Ben, a neighborhood girl with strange powers of her own.

The story of Etsuko, a Japanese woman now living alone in England, dwelling on the recent suicide of her daughter. In a story where past and present confuse, she relives scenes of Japan's devastation in the wake of World War II.

Ro is stuck. She's just entered her thirties, she's estranged from her mother, and her boyfriend has just left her to join a mission to Mars. Her days are spent dragging herself to her menial job at the aquarium, and her nights are spent drinking sharktinis (Mountain Dew and copious amounts of gin, plus a hint of jalapeño). With her best friend pulling away to focus on her upcoming wedding, Ro's only companion is Dolores, a giant Pacific octopus who also happens to be Ro's last remaining link to her father, a marine biologist who disappeared while on an expedition when Ro was a teenager.

Business has never been better for Nura Khan, a third-generation matchmaker in Atlanta. Her exclusive clientele benefits from her impeccable track record. And while a single thirty-one-year-old matchmaker would normally raise some perfectly threaded eyebrows in the community, Nura’s childhood best friend, Azar, is willing to double as her pretend fiancé at her clients’ weddings—even though Nura’s feelings for him might not be so pretend.

In eight incantatory sections, The Buddha in the Attic traces the extraordinary lives of young Japanese brides, from their arduous journey by boat, where they exchange photographs of their husbands, imagining uncertain futures in an unknown land; to their arrival in San Francisco and their tremulous first nights as new wives; to their backbreaking work picking fruit in the fields and scrubbing the floors of white women; to their struggles to master a new language and a new culture; to their experiences in childbirth, and then as mothers....

The child of a married Japanese aristocrat and her African American GI lover, Nori is an outsider from birth. Her grandparents take her in, only to conceal her, fearful of a stain on the royal pedigree that they are desperate to uphold in a changing Japan. Obedient to a fault, Nori accepts her solitary life, despite her natural intellect and curiosity.

Daiyu never wanted to be like the tragic heroine for whom she was named, revered for her beauty and cursed with heartbreak. But when she is kidnapped and forced across an ocean from China to America, Daiyu must relinquish the home and future she imagined for herself. Over the years that follow, she is forced to keep reinventing herself to survive. From a calligraphy school, to a San Francisco brothel, to a shop tucked into the Idaho mountains, we follow Daiyu on a desperate quest to outrun the tragedy that chases her.

John Lithgow and B.D. Wong here recreate their original roles from the Tony Award-winning production. Inspired by an actual espionage scandal, a French diplomat discovers the startling truth about his Chinese mistress.

Kabul, 1978: The daughter of a prominent family, Sitara Zamani lives a privileged life in Afghanistan’s thriving cosmopolitan capital. The 1970s are a time of remarkable promise under the leadership of people like Sardar Daoud, Afghanistan’s progressive president, and Sitara’s beloved father, his right-hand man. But the ten-year-old Sitara’s world is shattered when communists stage a coup, assassinating the president and Sitara’s entire family. Only she survives.

Xuan Juliana Wang's remarkable debut introduces us to the new and changing face of Chinese youth. From fuerdai (second-generation rich kids) to a glass-swallowing qigong grandmaster, her dazzling, formally inventive stories upend the immigrant narrative to reveal a new experience of belonging: of young people testing the limits of who they are, in a world as vast and varied as their ambitions. In stories of love, family, and friendship, here are the voices, faces, and stories of a new generation never before captured in fiction.