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This 16-episode collection includes the greatest comedy teams of the Golden Age of Radio and includes Dean Martin and Jerry Lewis, Abbott and Costello, George Burns and Gracie Allen, Fibber McGee and Molly, Baby Snooks and Daddy, Edgar Bergen and Charlie McCarthy, and Phil Harris and Alice Faye. You’ll laugh till your sides ache at these great comedy duos!

Bud Abbott and Lou Costello were a comedy duo seen in movies, on TV, and heard on radio. Their comedy routine “Who’s on First?” helped make them a national sensation. The duo started in Vaudeville, and by the fall of 1942, Abbott and Costello had their own weekly radio program and topped the popularity polls of Radio Daily and Radio Guide. The Abbott and Costello Show ran for seven years until the summer of 1949. Enjoy 16 of the best comedy broadcasts of Abbott and Costello.

Dane Clark stars as New York-based Private Detective Peter Chambers, with William Zuckert as Detective Lieutenant Louie Parker in 16 nail-biting adventures from the Golden Age of radio.

This collection contains 15 of the greatest science fiction broadcasts from the Golden Age of radio, including episodes of X Minus One, Dimension X, Suspense, The CBS Radio Workshop, Escape, The Lux Radio Theatre, and others. Radio’s finest actors perform before the microphones in adaptations from the past masters of science fiction. Relive the best radio sci-fi shows from yesterday and the legendary stars that made them amazing in this incredible collection.

In 1949, NBC brought mustachioed Irish-American actor Brian Donlevy to the radio microphones as international troubleshooter Steve Mitchell in the spy series Dangerous Assignment. Mitchell worked for an unnamed US government intelligence agency whose boss, The Commissioner, dispatched him to world trouble spots. Mitchell’s assignment was to solve problems in record time and in accordance with US interests.

The golden age of radio had incredible comedy shows that kept Americans in stitches for decades. Families gathered around their living room radios to be entertained by the greatest names in Hollywood each and every day. This collection includes Bud Abbott and Lou Costello, Eve Arden as Connie Brooks on Our Miss Brooks, Jim and Marian Jordan as Fibber McGee & Molly, William Bendix as Chester A. Riley on The Life of Riley, Jack Benny welcoming guest, Fred Allen, Freeman Gosden and Charles Correll as Amos ‘n’ Andy and many more!

Our Miss Brooks was a situation comedy show heard on radio and seen on television and films. It starred Hollywood film and New York stage veteran Eve Arden, who had specialized in playing the wisecracking friend to the heroine. She often did it better than anyone else, receiving an Oscar nomination for 1945’s Mildred Pierce. Arden’s skill with the wicked one-liner was beginning to lead to typecasting so, to find a new image, she signed on for the lead in radio’s Our Miss Brooks.

On March 19, 1928, Freeman Gosden and Charles Correll introduced Amos ‘n’ Andy, which went on to become one of the most popular and longest-running programs in radio history. During the height of its popularity, almost the entire country listened to the 15-minute, Monday-through-Friday adventures of Amos and Andy. Enjoy 16 classic radio episodes of Amos ‘n’ Andy, the most popular comedy show of the Golden Age of Radio.

Lucille Ball was an accomplished actress, comedian, model, entertainment studio executive and producer. She was the star of the self-produced TV sitcoms I Love Lucy, The Lucy Show, Here's Lucy and Life with Lucy, as well as television specials aired under the title The Lucy-Desi Comedy Hour. This collection contains 10 of her popular radio performances, and we hope you will Love Lucy all over again.

The character of Jack “Flashgun” Casey was first penned by former newspaper and advertising executive, George Harmon Coxe, Jr. in the March 1934 issue of Black Mask, the legendary Pulp Magazine. Casey was a cameraman who took photographs that accompanied reporter’s newspaper stories. His keen eye for detail served him well with solving the crimes he was assigned to photograph. “Flashgun Casey” was an instant success with the Black Mask readers and soon made the leap to the silver screen and to radio.

America’s Favorite Cowboy, Roy Rogers, stars in 16 rip-roaring Western radio adventures from the early 1950s.

Fibber McGee & Molly had a long and successful run on radio (1935-1959). The program showcased terrific comic and musical talent, headlined by its creators and stars, married couple Jim and Marian Jordan. Living in the fictional Midwestern town of Wistful Vista, Fibber was an American teller of tall tales and a braggart, usually to the exasperation of his long-suffering wife Molly. Life in Wistful Vista followed a well-developed formula, but was always fresh.

Michael Shayne, “the reckless, red-headed Irishman”, was a popular hard-boiled detective created by crime novelist Brett Halliday. Mike settled in Miami just after WWII, making crime pay by fighting it with a license and an attitude. Like Mike Hammer and Philip Marlowe, Shayne was a loner. The backstory on Mike is that he was happily married, but suddenly his wife is tragically murdered, and that hit him hard. Grief-stricken, Shayne loses himself in his work as a private eye, prowling the dark streets of Miami seeking out his style of revenge on injustice.

The CBS Radio Workshop aired from January 27, 1956 through September 22, 1957 and was a revival of the prestigious Columbia Workshop which aired from 1936 to 1943. Creator William Froug launched the series with the powerhouse two-part adaptation of "Brave New World" and booked author Aldous Huxley to narrate his famous novel. "We'll never get a sponsor anyway…," CBS vice president Howard Barnes explained to Time, "…so we might as well try anything."

Author Jack Boyle created the modern Robin Hood-like character, Horatio Black, known to friend and foe as Boston Blackie. Blackie was a reformed jewel thief and safecracker, constantly suspected of crimes he did not commit. Forced to defend himself against the accusations of New York Police Inspector Faraday, Blackie always managed to stay one step ahead of the cops in solving a crime. The wisecracks exchanged between Blackie and Faraday made the program an enjoyable mix of comedy and mystery. Enjoy 12 of the finest detective adventures of Boston Blackie in this thrilling collection!

This eight-hour collection includes the greatest comedy teams of the golden age of radio and features Abbott & Costello, Ozzie & Harriet, Amos ‘n’ Andy, The Bickersons, Burns & Allen, Martin & Lewis, Fibber McGee & Molly, Lum & Abner, and Phil Harris & Alice Faye. You’ll laugh ‘till your sides ache at these great comedy duos!

Fibber McGee & Molly had a long and successful run on radio (1935-1959). The program showcased terrific comic and musical talent, headlined by its creators and stars, married couple Jim and Marian Jordan. Living in the fictional Midwestern town of Wistful Vista, Fibber was an American teller of tall tales and a braggart, usually to the exasperation of his long-suffering wife Molly. Fibber's weekly schemes would be interrupted, inspired by, and often played upon the people of Wistful Vista, a set of regular players and characters.

The Screen Director’s Playhouse came to NBC in 1949 and became one of the top drama anthologies featuring Hollywood actors reprising their screen roles a la Lux Radio Theater. The primary focus of the program was the original movie’s director, who not only served as a guest host but also participated in an interview towards the end of the broadcast. Unlike Lux, which featured Cecil B. DeMille as a regular host, The Screen Director’s Playhouse had a different director every week. Alfred Hitchcock, Frank Capra, and Lewis Milestone were among those appearing.

Enjoy 16 of the greatest holiday shows from radio’s Golden Age and the Hollywood celebrities that starred in them.

The Lux Radio Theatre was one of the most prestigious and longest running shows from Radio's Golden Age. It featured the greatest stars in Hollywood appearing in hour-long radio adaptations of their biggest motion pictures. Cecil B. DeMille was the host (from 1936-1945) for a lavish production of what was to become a veritable checklist of many of Hollywood's best films from the mid -1930s through the mid -1950s. The stars of the movie usually appeared in their audio counterparts, although sometimes contracts or schedules meant that another actor took the part.