Showing results by author "G.K Chesterton" in All Categories

A dazzling and uplifting biography of the great Saint Francis of Assisi who gained the world by giving up worldly goods to be be independent of all. Less is more at the highest level. Told in a remarkably astute, nuanced, optimistic, uplifting biography by G. K. Chesterton, known as the Prince of Paradox.

In a London of the future, the drudgery of capitalism and bureaucracy have worn the human spirit down to the point where it can barely stand. When a pint-sized clerk named Auberon Quinn is randomly selected as head of state, he decides to turn London into a medieval carnival for his own amusement. One man, Adam Wayne, takes the new order of things seriously, organizing a Notting Hill army to fight invaders from other neighborhoods. At first his project baffles everyone, but eventually his dedication proves infectious, with delightful results.

This collection of 12 short stories is part of the Father Brown series, about a mystery-solving Catholic priest. In a refreshing contrast with the deductive detective Sherlock Holmes, Father Brown works intuitively. Through many years of hearing confessions, he has developed an uncanny ability to see inside the minds of criminals. Although he appears unobtrusive and dowdy, with a face "as round and dull as a Norfolk dumpling", he is also surprisingly worldly for a priest.

G. K. Chesterton's surreal masterpiece is a psychological thriller that centers on seven anarchists in turn-of-the-century London who call themselves by the names of the days of the week. Chesterton explores the meanings of their disguised identities in what is a fascinating mystery and, ultimately, a spellbinding allegory.

Both by calling and conviction Father Brown knew better than most of us, that every man is dignified when he is dead. But even he felt a pang of incongruity when he was knocked up at daybreak and told that Sir Aaron Armstrong had been murdered. There was something absurd and unseemly about secret violence in connection with so entirely entertaining and popular a figure. For Sir Aaron Armstrong was entertaining to the point of being comic; and popular in such a manner as to be almost legendary.

"The Invisible Man" is a detective story written by G. K. Chesterton which concerns the nature of the crimes committed by one James Welkin, who had been harassing Laura Hope and menacing his romantic rival, Isidore Smythe (whom he would later murder), all without ever being seen.

Another collection of G.K. Chesterton's ingenious, thoughtful, and lyrically written mystery stories featuring the unassuming little priest who solves crimes by imagining himself inside the mind and soul of criminals, thus understanding their motives. The stories are full of paradox, spiritual insight, and "Chestertonian fantasy," or seeing the extraordinary in the ordinary. In the title story, a beautiful (and married) rich woman has taken up with a distinguished poet and Father Brown, rather than reacting as expected, appears to be providing assistance.

This book is meant to be a companion to "Heretics," and to put the positive side in addition to the negative. Many critics complained of the book because it merely criticised current philosophies without offering any alternative philosophy. This book is an attempt to answer the challenge. It is the purpose of the writer to attempt an explanation, not of whether the Christian Faith can be believed, but of how he personally has come to believe it. The book is therefore arranged upon the positive principle of a riddle and its answer.

Chesterton demonstrates his intense distrust of power and "progressives," railing against Prohibition, vegetarianism, theosophy, and other "dreary and oppressive" forces of modernity. In a spirited response to the government's attempt to curtail alcohol sales, Humphrey Pump (called Hump) a pub owner in the fishing village of Pebblewick takes to the road in a donkey cart. Accompanied by Captain Patrick Dalroy, a crimson-haired giant with a tendency to burst into song, Hump provisions the cart with a cask of good rum, a giant round of cheese, and the signpost from his pub, The Flying Inn.

In a surreal turn-of-the-century London, Gabriel Syme, a poet, is recruited to a secret anti-anarchist taskforce at Scotland Yard. Lucian Gregory, an anarchist poet, is the only poet in Saffron Park, until he loses his temper in an argument over the purpose of poetry with Gabriel Syme, who takes the opposite view. After some time, the frustrated Gregory finds Syme and leads him to a local anarchist meeting-place to prove that he is a true anarchist.

At first, The Man Who Was Thursday seems no more than a detective story that also has both poetry and politics, as well. But it soon becomes a mystery that grows more mysterious, until it is nothing less than the mystery of creation itself.

In The Secret of Father Brown, G.K. Chesterton bookends eight classic Father Brown mysteries with a fascinating encounter between the detective-priest and an admiring yet inquisitive American.

Short story The Blue Cross is Chesterton's first Father Brown mystery. It introduces the characters Flambeau and Valentin. It is unique among the Father Brown mysteries in that it does not follow the actions of the Father himself, but rather those of Valentin. Brown has been committing acts to draw the attention of the police (throwing soup, knocking over apples, smashing a window) and leaving an obvious trail for them to follow. Valentin takes this opportunity to emerge from hiding with the policemen and arrest Flambeau. Both Flambeau and Valentin bow to Father Brown's superior detective skills.

This collection of short essays by G.K. Chesterton is as applicable in 2020 as it was when it was written in 1923 during the first "Progressive Era". He saves his most subtle and cutting humor for commentary to skewer his favorite targets: feminists, vegetarians, modernists, journalists, social reformers, psychologists, and "sophisticated" people in general.

During the last part of the nineteenth century, the detective story took off as a popular genre as literary magazines vied with each other to draw in readers with gripping page-turners by the likes of Arthur Conan Doyle, G. K. Chesterton, Guy Boothby and Wilkie Collins. This collection brings together some of the great detectives of the Victorian era, from the master sleuth himself, Sherlock Holmes, to the mild mannered Father Brown, to the feisty J. G. Reeder.

DES MEURTRES IMPOSSIBLES ! 9 nouvelles ou courts romans célèbres, mettant en scène des meurtres commis dans des lieux hermétiquement fermés. 9 énigmes qui sont autant de défis aux capacités de déduction et d'imagination de l'audiolecteur.

Greybeards at Play is a short collection of humorous poetry by celebrated British writer and social commentator, Gilbert Keith Chesterton (1874-1936). Published in 1900, it was Chesterton's first publication. These rhymes and sketches spin witty lyrics around themes such as aestheticism, the philosopher's love of nature, and ill-directed altruism, in true Chestertonian style.

Gilbert Keith Chesterton (1874-1936) was an English writer best known for his fictional priest-detective, Father Brown.This collection features five of Chesterton's most intriguing cases:The Shadow of the SharkThe Hammer of GodThe Invisible ManThe Queer FeetThe Blue Cross

Both by calling and conviction Father Brown knew better than most of us, that every man is dignified when he is dead. But even he felt a pang of incongruity when he was knocked up at daybreak and told that Sir Aaron Armstrong had been murdered. There was something absurd and unseemly about secret violence in connection with so entirely entertaining and popular a figure. For Sir Aaron Armstrong was entertaining to the point of being comic; and popular in such a manner as to be almost legendary. Why, or more to the point, who killed Sir Aaron?

Orthodoxy (1908) by G. K. Chesterton is a classic of Christian apologetics. The audiobook is a companion to his volume of essays titled Heretics, and focuses on the Apostles' Creed. It was written when Chesterton was an Anglican; he converted to Catholicism 14 years later. The prose is witty and incisive, meaning Chesterton at the height of his power.