Showing results by author "Lawrence Block" in All Categories

Scanning the world's literature, including the vast library of forbidden books, John Warren Wells provides a searching and comprehensive overview of human sexuality. Chapters include: The Endless Search for Eros, The Techniques of Provoking Desire, Positions for Coitus, Extracoital Copulation, Masturbation, Pluralistic Sex Practices, and more. Introduction by Benjamin Morse, M.D.

The sexual upheaval of the 1970s was a remarkable turning point in the evolution of contemporary sexual behavior. As much as anyone, John Warren Wells stalked the barricades of this social revolution. He met the players, and let them pour their stories into his sympathetic ear. From the original publisher's edition:" The Taboo Breakers is a penetrating, unbiased study of these modern "swingers." Just what do they do, and with whom, and why? Are they fools and sinners, the shock troops of a new sexual revolution, hell-bent hedonists piling one thrill upon another? Or are they merely ...

Even before Lawrence Block could rest on his laurels from "In Sunlight or In Shadow", a question arose. What would he do for an encore Suppose each author was invited to select a painting from the whole panoply of visual art - from the cave drawings at Lascaux to a contemporary abstract canvas on which the paint has barely dried. And what a dazzling response!

In the third installment of his acclaimed anthology series, master of crime fiction Lawrence Block has gathered together the best talent from popular fiction to produce an anthology of short stories based on masterpieces of American art. Among the star-studded lineup of writers you'll find Jerome Charyn, Jane Hamilton, Christa Faust, John Sandford, Sara Paretsky, Walter Mosley, Charles Ardai, Barry Malzberg, and Janice Eidus.

Sound interesting? The author thinks so too! Listen to Born to Be Bad and experience the compelling world of erotica.

Lawrence Block remembers: “Well, maybe that’s not the best way to kick things off, because the fact of the matter is that Lawrence Block remembers virtually nothing about writing BUTCH. I have no difficulty recognizing it as my own work, and I remember hanging the title Butch on one of my monthly titles for Bill Hamling’s Nightstand Books—and, wonder of wonders, noting its appearance on the printed volume. “It’s not a bad title, but I don’t know that this was the right book for it. In Her Brogues Oxford-Style, who uploaded Harold McCauley’s reasonably fetching artwork to ...

Lawrence Block on PASSION NIGHTMARE: “In July of 1959 I left Yellow Springs, Ohio, where I had just put in a third year at Antioch College. I’d spent one trimester editing the school’s weekly newspaper, with mixed results, and the other two largely neglecting some academic courses. “It did not go well. I’d dropped out of school a year previously, to keep and extend a summer job at a New York literary agency. By the time I got back to Antioch I’d written and sold a dozen stories and a couple of novels, and that’s what I was interested in, along with strong drink and illegal ...

"You Can Call Me Lucky" first appeared in Indian Country Noir, edited by Liz "Bootsie" Martinez and Sarah Cortez, and published by Akashic Books as part of their Noir series. Bootsie is a good friend of mine, and I had a hard time saying no when she beseeched me for a story. I felt unqualified, having minimal acquaintance with American Indians and their habitat. Then I thought of Indian casinos. And I remembered my nameless girlfriend, who'd thus far brightened Hell's Kitchen and Riverdale with her presence. No reason why she had to stay in the five boroughs of New York. Suppose she turned ...

In seinem vierten Abenteuer nimmt sich Matthew Scudder - nun in deutscher Neuübersetzung - eines ungelösten Falles an, mit dem er schon Jahre früher als Detective beim NYPD befasst war. Louis Pinell, der vor Kurzem gefasste Eispickel-Mörder, gibt freiherzig zu, vor neun Jahren sieben junge Frauen ermordet zu haben - aber er schwört, dass ein Nachahmer für den Mord an Barbara Ettinger verantwortlich war. Scudder glaubt ihm. Die Spur zu Ettingers wirklichem Mörder ist verworren, dunkel und voller Gefahren ... und sogar noch kälter als die Leiche, der er Gerechtigkeit verschaffen will.

Lawrence Block on GIRLS ON THE PROWL: “GIRLS ON THE PROWL was first published by Nightstand Books in 1961, with Andrew Shaw credited as author. Harold W. McCauley provided the cover art. The principal characters—one hesitates to characterize them as titular—are Saundra, Marilyn, and Joan. (Joan is the lesbian.) “A mere forty-three years later, THE BURGLAR ON THE PROWL was first published by William Morrow in 2004, with Lawrence Block credited as author. Amy King provided the jacket design, Paul Oakley the jacket illustration, while the author photograph was the work of Athena ...

Rhoda’s divorce has her thinking that romance is not for her. But maybe she just needs to look in a new direction. Megan is an attractive blonde who instantly sees what Rhoda’s love life has been missing: a woman’s touch. As Megan guides Rhoda into the sensuous - but hidden - world of women who love women, the two unlock a passion that may be too hot to contain. There are a lot of beautiful women in the Village, and Rhoda’s just begun her adventure as a freewheeling lesbian.

Kit Tolliver’s got a problem. Whenever she has sex with a man, she feels an irresistible urge to kill him. That’s fine, she enjoys the killing as much as the sex, but it does limit the possibilities for a satisfying long-term relationship. But she’s got a friend, a woman in Kirkland, Washington, and there’s a definite sexual undercurrent to the friendship. Is that a possibility? And would she even enjoy sex with a woman? And what would happen afterward? She’s in St. Louis, hoping a lesbian bar might hold the answer. And she’s not the bar’s only patron with a hidden agenda. ...

In her fifth appearance, “Waitress Wanted,” Kit Tolliver had to leave Phoenix in a hurry. She’d had sex with her boss, and that sealed his fate; the guy had about as much survival potential as a male Black Widow spider. Now she’s in Washington State, renting a room in a comfortable suburban house, and ready to hook up with one of the men on her list. A Chicagoan, he slept with her a couple of years ago in New York, and got out of town before she could seal the deal. And now he’s right here in Kirkland, and he doesn’t know it, but he’s about to get lucky. Except the clown ...

I’d no sooner finished CARLA, my first book for Midwood Tower, than Harry Shorten asked for another. I’d just returned to Antioch College, where after two years as an undistinguished student I’d dropped out for a year to hang on to a summer job at Scott Meredith’s literary agency and bucket shop. It was wonderful training, but after a year there I decided I should go back to school, where I had a chance to assume the editorship of the school newspaper. So there I was in Yellow Springs, Ohio, taking a batch of English courses, and I had a publisher who wanted me to write a book. ...

When Don Westlake and I were starting out as writers, we both served an apprenticeship writing erotic novels for Harry Shorten at Midwood Books and Bill Hamling at Nightstand. (I was Sheldon Lord for Midwood and Andrew Shaw for Nightstand, while Don was Alan Marshall for both publishers. Note though that the presence of either name upon a book is no guarantee that one of us wrote it. Both of us made arrangements whereby lesser writers would submit works under our names—and I know it's hard to believe that any writers were less than we were back then, but it's true.) Well. We'd become ...

Lawrence Block remembers: I stopped writing for Nightstand Books when I stopped being a Scott Meredith client in early 1964. Bill Hamling’s publishing operation was a closed market, exclusive to the Meredith agency, so it was time for me to give up being Andrew Shaw. I had a wife, I had a mortgaged house in a Buffalo suburb, I had two young daughters—and I had no visible means of support. Well, one finds a way. I established two new writing selves, Jill Emerson and John Warren Wells. And I wrote a final Andrew Shaw type novel, though not as Andrew Shaw, as I recount in my memoir of my ...

17-year-old Johnny Wells was a very handsome young man, and you’d have called him a babe magnet, but I’m afraid they didn’t have that phrase back in 1961. He decided to capitalize on his looks and the response they earned from women, invested in a haircut and a good wardrobe, moved out of his slum apartment and into a budget hotel, and reinvented himself as a gigolo. The life transformed him. He took up reading, became devoted to it, and educated himself. His new contacts provided him with polish and sophistication. He moved to a good hotel, put money in the bank. And then an out-of-...

It is Kit Tolliver's oft-repeated role in life to hook up with a suitable male, go home with him, have richly satisfying and often inventive sex with him, and then kill him and take his money. She'd done so in three stories ("If You Can't Stand the Heat", set in Hell's Kitchen, "Rude Awakening," set in the Bronx, and "You Can Call Me Lucky," set in an Indian casino in Michigan) and, while I knew her like a sister, I still didn't know her name or her backstory or why she was doing these terrible things. Then Gardner Dozois and George R. R. Martin invited me to contribute a story to a cross-...

Lawrence Block on AFTERTHOUGHTS 2.0: AFTERTHOUGHTS began in 2011, when I first began self-publishing titles from my voluminous backlist. I packed it with forewords and afterwords and essays and articles about the work, and arranged for its distribution as an ebook. Here's wwhat the publisher had to day about it at the time: "In a career spanning more than fifty years, Lawrence Block has produced more than one hundred books, ranging in genre from hard-boiled detective stories to pseudonymous erotica. Collected here for the first time are more than forty-five afterwords from the works that ...

In A Woman Must Love, Barbara, a young widow, has vowed to be true to her husband’s memory (even though he’d wished otherwise). She’s courted, and she has a couple of adventures.