Despite the dismal Broadway season, Gunplay continues to draw crowds. A gangland spectacle, it's packed to the gills with action, explosions, and gunfire. In fact, Gunplay is so loud that no one notices the killing of Monte Field. In a sold-out theater, Field is found dead partway through the second act, surrounded by empty seats. The police hold the crowd and call for the one man who can untangle this daring murder: Inspector Richard Queen.

Frightfully rich and awesomely respectable, the McKells had never been touched by scandal. At least, not until the handsome Dane McKell discovered his father's secret affair. Determined to protect his mother, he forced a meeting with the other woman.

But Dane didn't count on falling in love with her himself. Nor did he count on the front page murder that engulfed them all. Sheila, exotic young international leader of haute couture, is found murdered in her Park Avenue penthouse.

It's 1943, the war is raging, and sleuthing scribe Ellery Queen wants to do his bit. After a tortuous cross-country drive, he takes a job writing scripts for a Hollywood propaganda house - twelve hours a day of hack work that quickly turns his mind to jelly. After a few weeks, he is so worn down that he can type nothing but gibberish, and he decides to drive home. The trouble starts as soon as he reaches the desert.

You are invited to a murder. That was how the invitations should have read when aged millionaire Hendrik Brass sent out his messages to six oddly assorted men and women who knew neither him nor each other. All arrived at the isolated Brass mansion, lured by the tantalizing promise of fabulous wealth. But from the moment the shining brass doors of the grotesquely constructed house swung shut behind them, they began to realize they had been enticed into playing parts in a monstrous joke - the joke of a twisted, brilliant mind…

Who killed Cox, the robber? Was it Ruth Tully, who visited Crandall Cox on the night of his death and who might have decided to quench a torrid past with a spray of bullets? What about Sandra Jean, the knock-'em-dead beauty who knew more than she was telling about the sudden demise of blackmailer Cox? Or had some past scandal driven lawyer Ollie Hurst and his wife, Norma, to claim the blackmailer's life? Dave Tully didn't know who the killer was, but if he didn't find out fast, the price of failure could be death....

Madman or murderer? That was the question, and it was Police Inspector Omar Collins who had come up with the answer. All he had to go on was: the victim - Earl Genneman, wealthy president of Genneman Labs; the scene - right in the middle of a busy state park; the murder weapon - a shotgun that was still missing; the witnesses - Myron Retwig, Red Kershaw, Bob Vega, and Buck James, all friends or employees of the deceased; the motive - unknown; the suspects - everyone!

Ellery Queen and Sherlock Holmes are the undisputed masters of analytical deduction - their talents and methods strikingly, almost uncannily, alike. Through the strange interlocking of events past and present, the two celebrated detectives meet to focus their razor-sharp intellects - and their brilliant powers of observation - on the mystery of…Jack the Ripper.

The four of them had only two things in common - their name and a love for the ladies. John Boce was a no-account accountant who lusted after food, drink, cars, and women. John Thompson was a secretive librarian who liked his books and his women well-stacked. John Viviano was a fashion photographer with a great feel for a body - any body! And John Pilgrim was a poetic bum who had the girls hanging on his every stanza. All of them wanted the same woman, but which one wanted her enough to kill?

The Tragedy of Errors is the lengthy and detailed plot outline for the final but never published Ellery Queen novel, containing all the hallmarks of the greatest Queen mysteries - the dying message, the succession of false solutions before the astonishing truth is revealed, and scrupulous fair play to the listener. And the theme is one that Queen had been developing for many years: the manipulation of events in a world going mad by people who aspire to the power of gods.

How could a man have been murdered when he was found alone in his study, a gun in his hand, and the door locked from the inside? It had to be suicide, the police figured. Although there was no suicide note, there was a letter proving conclusively that Roland Nelson, over the last several months, was being blackmailed. But to his daughter, Ann, whom he had seen only spasmodically since he had left her mother when Ann was a baby, there were unanswered questions.

Agatha Christie's first two Poirot novels, narrated with a general-American accent. The Mysterious Affair at Styles: Someone has poisoned wealthy Emily Inglethorp. But who? And how? Everyone suspects Emily's young husband, Alfred...and Alfred seems to be actually trying to get arrested and charged.... The Murder on the Links: Poirot comes to France in response to a desperate plea for help to find his client already murdered - stabbed in the back and lying in an open grave. Brusque, arrogant Inspector Giraud thinks he knows who did it.

Mrs. Virgil (Emily) Pollifax of New Brunswick, New Jersey, was a widow with grown children. She was tired of attending her Garden Club meetings. She wanted to do something good for her country. This first in the series sends Emily on her first case after she successfully persuades a skeptical CIA recruitment officer that she is the best person for the job.

A dance club full of bodies. Cause of death - a mystery. The lone survivor - a man, raving like a lunatic, wearing only a deerstalker hat. Now, the man who calls himself Sherman Holmes is being studied like a lab rat by a top-secret government agency. How is it he can be barely clinging to reality one minute - yet be a seeming genius the next? Within his brain might just be the greatest scientific breakthrough of the millennium, if anyone can figure out how to access it. Enter the agent code named Watson.

Shabby and lumbering, with a face like a Norfolk dumpling, Father Brown makes for an improbable super-sleuth. But his innocence is the secret of his success: refusing the scientific method of detection, he adopts instead an approach of simple sympathy, interpreting each crime as a work of art, and each criminal as a man no worse than himself… Here you will find the complete Father Brown stories in the chronological order of their original publication. The Innocence of Father Brown Starts at Chapter 1, The Wisdom of Father Brown Starts at Chapter 13.

Judith Potts is 77 years old and blissfully happy. She lives on her own in a faded mansion just outside Marlow, there’s no man in her life to tell her what to do or how much whisky to drink, and to keep herself busy she sets crosswords for The Times newspaper. One evening, while out swimming in the Thames, Judith witnesses a brutal murder. The local police don’t believe her story, so she decides to investigate for herself and is soon joined in her quest by Suzie, a salt-of-the-earth dog-walker, and Becks, the prim and proper wife of the local vicar.

When Sasha receives a call from her old university friend Gabby inviting her to spend Christmas at Gabby’s remote Scottish lake house, Sasha knows she shouldn’t go. Twelve years ago, on Christmas Eve, when Sasha and her five closest friends were celebrating the festive season, something truly horrific happened that would change the course of their friendship forever. Something that meant Sasha hasn’t spoken to any of them since that night.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

It’s been two years since Anna Cartwright’s life fell apart. During her first school trip as a young teacher, a student went missing and was never found. Not only was her career ruined, she was also accused of having an affair with fellow teacher and prime suspect Graham. Facing questions from journalists, police and family, Anna said she didn’t know what happened. She was lying. Now, Anna has returned to Australia. Her only hope is Land’s End Area School, an isolated concrete wasteland perched on the cliffs.

England, 1914. The world is at war. Captain Hastings, injured and shaken, is invited to Styles Court to recover. It’s a grand old country house - the family home of his old friend - and a perfect haven. Or so it seems. But in the blistering summer heat, trouble is afoot. Simmering tensions are tearing the family apart, and it all comes to a head in the most horrifying way.

Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.

My fiancé brought me tea and scrambled eggs in bed that morning, and we snuggled together, talking about buying our rings, and about our perfect wedding next year. Then we headed into town. He held my hand and gazed at the ring I liked best, a smile spreading slowly over his face. Then a glass of bubbly to celebrate. I felt flushed, excited and ready for the rest of my life with the man I loved. We race to get on the train home. It screams to a halt and I run towards its open doors. Made it. I think he’s right behind me — but when I turn around, he’s gone.