Every day, Albert Entwistle makes his way through the streets of his small English town, delivering letters and parcels and returning greetings with a quick wave and a “how do?” Everyone on his route knows Albert, or thinks they do—a man of quiet routines, content to live alone with his cat, Gracie.

Barnett Durang has a secret. No, not THAT secret. His widowed mother has long known he’s gay. The secret is Barnett is getting married. At his mother’s farm. In their small Louisiana town. She just doesn’t know it yet. It’ll be an intimate affair. Just two hundred or so of the most fabulous folks Barnett is shipping in from the “heathen coasts,” as Mom likes to call them, turning her quiet rescue farm for misfit animals into a most unlikely wedding venue.

Shuggie’s mother Agnes walks a wayward path: She is Shuggie’s guiding light but a burden for him and his siblings. She dreams of a house with its own front door while she flicks through the pages of the Freemans catalogue, ordering a little happiness on credit, anything to brighten up her grey life. Married to a philandering taxi-driver husband, Agnes keeps her pride by looking good - her beehive, make-up, and pearly-white false teeth offer a glamourous image of a Glaswegian Elizabeth Taylor.

Born under different stars—Mungo a Protestant and James a Catholic—they should be sworn enemies if they’re to be seen as men at all. Their environment is a hyper-masculine and sectarian one, for gangs of young men and the violence they might dole out dominate the Glaswegian estate where they live. And yet against all odds Mungo and James become best friends as they find a sanctuary in the pigeon dovecote that James has built for his prize racing birds.

Ambrose wakes up on the Coordinated Endeavor with no memory of a launch. There’s more that doesn’t add up: evidence indicates strangers have been on board, the ship’s operating system is voiced by his mother, and his handsome, brooding shipmate has barricaded himself away. But nothing will stop Ambrose from making his mission succeed—not when he’s rescuing his own sister.

Now in audio for the first time! Award-winning actor and two-time Tony Award nominee David Pittu narrates one of the most influential books in gay literature. Andrew Holleran's Dancer from the Dance defined gay life in late 1970s New York. Published in 1978, the novel captures the time post-Stonewall and pre-AIDS where sexual freedom was celebrated and the future appeared limitless.

Oliver Park, a recovering addict from Indiana, finally has everything he ever wanted: sobriety and a loving, wealthy partner in Nathan, a prominent DC trauma surgeon. Despite their difference in age and disparate backgrounds, they've made a perfect life together. With everything to lose, Oliver shouldn't be visiting Haus, a gay bathhouse. But through the entrance he goes, and it's a line crossed. Inside, he follows a man into a private room, and it's the final line. Whatever happens next, Nathan can never know.

In a strange little home built into the branches of a grove of trees, live three robots—fatherly inventor android Giovanni Lawson, a pleasantly sadistic nurse machine, and a small vacuum desperate for love and attention. Victor Lawson, a human, lives there too. They’re a family, hidden and safe. The day Vic salvages and repairs an unfamiliar android labelled “HAP,” he learns of a shared dark past between Hap and Gio–a past spent hunting humans. When Hap unwittingly alerts robots from Gio’s former life to their whereabouts, the family is no longer hidden and safe.

Lewis Madigan is young, gay, out of work, and getting antsy when he’s roped into providing end-of-life care for his insufferable homophobic neighbor, Chester Wheeler. Lewis doesn’t need the aggravation, just the money. The only requirements: run errands, be on call, and put up with a miserable old churl no one else in Buffalo can bear. After exchanging barbs, bickering, baiting, and pushing buttons, Chester hits Lewis with the big ask. Lewis can’t say no to a dying wish.

Sixteen-year-old Frankie Budge—aspiring writer, indifferent student, offbeat loner—is determined to make it through yet another summer in Coalfield, Tennessee, when she meets Zeke, a talented artist who has just moved into his grandmother’s house and who is as awkward as Frankie is. Romantic and creative sparks begin to fly, and when the two jointly make an unsigned poster, shot through with an enigmatic phrase, it becomes unforgettable to anyone who sees it. The edge is a shantytown filled with gold seekers. We are fugitives, and the law is skinny with hunger for us.

Four years into her marriage, Jenna is blindsided when her husband asks for a divorce. With time on her hands and her life in flux, she agrees to accompany her eccentric grandmother Evelyn on a road trip to the seaside Massachusetts town where much of their family history was shaped. When they hit the road, Evelyn spins the tale of the star-crossed teenage romance that captured her heart more than seventy years ago and changed the course of her life.

Nick Russo has worked his way from a rough Brooklyn neighborhood to a reporting job at one of the city’s biggest newspapers. But the late 1950s are a hostile time for gay men, and Nick knows that he can’t let anyone into his life. He just never counted on meeting someone as impossible to say no to as Andy. Andy Fleming’s newspaper-tycoon father wants him to take over the family business. Andy, though, has no intention of running the paper. He’s barely able to run his life.

Ned’s exhausted from his divorce, single parenting, and graduate school, so when his boss comes up with a plan to 'improve' work-life balance, Ned wants no part of it. But Dr. Charles Henry Abbot, PhD has other ideas. Once Ned’s least favorite professor and now his infuriating colleague, Ned needs Abbot’s help editing his dissertation. With their newly limited work schedules, Abbot suggests the worst idea Ned’s ever heard: pretend to date. Convince their co-workers–and their boss–that they’re in a relationship and nailing this whole personal life thing...and each other.

My name is Hudson Newgate, but my teammates call me "New Guy". That was my nickname in Chicago, too. And Vancouver. That’s what happens when you keep getting traded. Brooklyn is my last chance, especially after my poor performance last season.

Cutthroat political consultant Thom Morgan is thriving, working on the governor of California’s presidential campaign. If only he didn’t have to deal with Clay Parker, the infuriatingly smug data analyst who gets under Thom’s skin like it’s his job. In the midst of one of their heated and very public arguments, a journalist snaps a photo, but the image makes it look like they’re kissing. As if that weren’t already worst-nightmare territory, the photo goes viral—and in a bid to secure the liberal vote, the governor asks them to lean into it. Hard.

When mystery author D. B. Ziegler is late delivering her book, Abi Schore steps in to help. Surely she can give her favorite author moral support over the holiday break and get the manuscript to her boss at Tea & Sympathy Publishing in time for the new year. When Abi shows up on Ms. Ziegler’s doorstep bearing holiday treats, she’s met by the author’s handsome grandson Dov, who reveals a startling plot twist. His grandmother isn’t able to finish the book and Dov promised he’d complete it so fans won’t be disappointed—a task that’s harder than he ever imagined.

First published in 1843, it tells the story of Ebenezer Scrooge, a mean and unpleasant man who dislikes people generally and Christmas especially. One Christmas Eve he is visited by the ghost of his former business partner Jacob Marley and the spirits of Christmas Past, Present and Yet to Come and given a glimpse of the many homes and lives which Scrooge has touched in his wretched life to date. After their visits, Scrooge is transformed into a kinder, gentler man.

A Signature Performance: Tim Curry rescues Charles Dickens from the jaws of Disney with his one-of-a-kind performance of the treasured classic. Our listeners loved this version so much that it inspired our whole line of Signature Classics.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

There's no place like home for the holidays ... especially for Lesley Carver. Life in the big city just wasn't her jam and now she's back in Hickory Falls, working at the family diner and helping her mom after she took a tumble. Lesley longs to build a life here, working at the cafe, selling her handmade ornaments and ... er, apparently reviving her high school crush on her best friend’s older brother. Only one problem, her mom wants her to leave Hickory Falls far behind.

It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.

Clark Griswold was onto something...at least with his annual holiday meltdown. And since the last three weeks of my life have been riddled with humbug—another breakup, a broken toe, an office promotion I deserved and didn’t get—I’m not at all in the mood to celebrate nor have the happ, happ, happiest Christmas EVER.

Academy Award nominee Rachel McAdams stars in Mary Jane, a poignant and intimate drama following a single mother’s journey caring for her chronically ill young son. Set in New York City, the play unfolds in two parts—Mary Jane's small Queens apartment and a pediatric hospital. With unflinching honesty and unexpected humor, we witness Mary Jane's tireless devotion, her interactions with medical professionals, and her struggle to maintain her sense of self.

My fiancé brought me tea and scrambled eggs in bed that morning, and we snuggled together, talking about buying our rings, and about our perfect wedding next year. Then we headed into town. He held my hand and gazed at the ring I liked best, a smile spreading slowly over his face. Then a glass of bubbly to celebrate. I felt flushed, excited and ready for the rest of my life with the man I loved. We race to get on the train home. It screams to a halt and I run towards its open doors. Made it. I think he’s right behind me — but when I turn around, he’s gone.

Lucas knows the perfect night entails just three things: video games, wine, and pad thai. Peanuts are a must! Other people? Not so much. Why complicate things when he’s happy alone? Then one day the apartment board, a vexing trio of authority, rings his doorbell. And Lucas’s solitude takes a startling hike. They demand to see his frying pan. Someone left one next to the recycling room overnight, and instead of removing the errant object, as Lucas suggests, they insist on finding the guilty party. But their plan backfires. Colossally.