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Largely autobiographical, La Vagabonde recalls Colette's own years as a dance hall performer in turn of the century Paris, where she takes the listener backstage and into the demimonde of Renée Néré, an aging dancer, mime, and failed writer. Successfully evoking the excitement, the sounds, smells, tastes, textures, and colors of the Parisian dance hall, Renée describes her romance with her admirer, Maxime, and the downward slide of a young Piaf type singer named Jadin.

Claudine, 15 ans, vit à Montigny avec son père, homme distrait, plus préoccupé par les mollusques que par l'éducation de sa fille. Celle-ci fréquente la petite école du village, cadre principal des aventures décrites dans ce livre, présenté comme le journal intime de la jeune fille. Son quotidien est rythmé par les promenades avec sa sœur de lait Claire, qui lui raconte sa vie amoureuse, et les leçons de musique avec Antonin Rabastens qui lui fait la cour.

A scandalously talented stage performer, a practiced seductress of both men and women, and the flamboyant author of some of the greatest works of 20th-century literature, Colette was our first true superstar. Now, in Judith Thurman's Secrets of the Flesh, Colette at last has a biography worthy of her dazzling reputation.

Claudine is the prettiest, smartest and wildest girl in her class. A mischievous 15-year-old who delights in rollicking through the dusty corridors of a parochial school in provincial France, Claudine manipulates her less-astute classmates and her feeble-minded professors. This vivid, honest portrait of adolescent life in turn-of-the-century Montigny was shocking to some readers when it first appeared. Today the novel still sparkles with the freshness and edge that excited readers almost 100 years ago.

Chéri and its sequel, The End of Chéri, mark Colette’s finest achievements, in their brilliant, subtle, and frank investigations of love and power. Set in the Parisian demimonde in the last days of the Belle Époque, Chéri tells the story of Léa, a courtesan at the end of a successful career, and her lover, the beautiful but emotionally opaque Chéri. Chéri will soon enter into an arranged marriage, ending their six-year affair, which—they will each realize too late—has been the one real love of their lives.

Claudine et son père ont quitté leur village de Montigny pour s'installer à Paris, où la jeune fille va découvrir la vie parisienne avec le soutien de son cousin Marcel, son ami, son confident et son complice. Elle finit par s'habituer à la vie dans cette ville qu'elle trouvait dure au début, et commence à sortir et à mener une vie mondaine. Elle ne tarde pas de tomber amoureuse de Renaud, chroniqueur de la vie mondaine, un grand séducteur aux tempes grisonnantes. Malgré l'hostilité de Marcel dont c'est... le père, elle finit par épouser Renaud.

Austin Sexton is a bad-boy media mogul and heir to the Sexton Empire. On the outside, he's a whiskey-slinging bachelor with the world on a string. Problem is, strings break easily. Deep within lies a war hero who refuses accolades. He buries his pain with his vices, and against my better judgment, I've become one of them. No matter how hard I try to push him away, his secrets draw me in. This man, who appears careless, has passion.

THE EARLY 2000s conjures images of inflatable furniture, flip phones, and low-rise jeans. It was a new millennium and the future looked bright, promising prosperity for all. The internet had arrived, and technology was shiny and fun. For many, it felt like the end of history: no more wars, racism, or sexism. But then history kept happening. Twenty-five years after the ball dropped on December 31st, 1999, we are still living in the shadows of the Y2K Era.

Run away with the Racer. Fall in love with the Suit. Hide away with the Artist. Feel your heart race with these sexy brothers, and the kick ass heroines they fall in love with, all in one boxset!

Colette Marceau has been stealing jewels for nearly as long as she can remember, following the centuries-old code of honor instilled in her by her mother, Annabel: take only from the cruel and unkind, and give to those in need. Never was their family tradition more important than seven decades earlier, during the Second World War, when Annabel and Colette worked side by side in Paris to fund the French Resistance. But one night in 1942, it all went wrong.

Léa de Lonval, une courtisane de près de cinquante ans, est la maîtresse de Fred Peloux, surnommé Chéri. À mesure qu’elle constate le manque de conviction croissant de son jeune amant, Léa ressent, avec autant émerveillement que d’amertume, les effets d’une passion qui sera la dernière. Pourtant, il suffira à Chéri d’épouser la jeune Edmée pour comprendre que la rupture avec Léa n’irait pas sans regrets.

This quintessential coming-of-age novel describes the early life of Stephen Dedalus. It is set in Ireland during the 19th century, which was a time of emerging Irish nationalism and conservative Catholicism. Highly autobiographical in nature, the work is also notable for its being the first one in which Joyce uses innovative “stream of consciousness” writing style. A Portrait... follows Stephen Dedalus from his babyhood into early adulthood.

Fi has always known there's something not quite right about herself. Not quite human. For as long as she can remember, Fi has been sensitive to other people's emotions. So sensitive, she works a night job as a cleaner to avoid being overwhelmed by all of their feelings. After a night on the town goes wrong, Fi comes to the attention of the Academy of Avalon. The obscenely beautiful jerk of a man who comes to collect her confirms her suspicions - Fi isn't human at all.

Over the course of one tumultuous Christmas Eve, Kathy Walker confirmed her suspicions about her husband's affair, confronted his mistress, Stephanie, and saved her marriage. She and Robert have 18 years, two teenagers, and a film production business between them - plus a bond that Kathy has no intention of giving up on. Yet though Robert is contrite, Kathy can't quite silence her doubts. While Robert reels from his wife's ultimatum and his mistress's rejection, Stephanie makes a discovery: she's pregnant. Her resolve to stay away from Robert wavers....

Au tournant du XXe siècle, on laisse de plus en plus à la jeune fille la liberté de choisir son mari ; une place est faite à ses préférences et plus encore à ses inclinations : on lui permet d'aimer, quitte à contredire les us et coutumes qui mettent l'amour après le mariage - la femme n'attend plus d'être mariée, d'avoir acquis une identité sociale par sa dot, pour éprouver des sentiments. D'où l'insistance de "Gigi" : être aimée comme elle aime ; échapper au conventionnel d'une vie mondaine où elle sera traitée en conquête de l'homme, faire-valoir négligeable de la masculinité qui l'entretient.

These glimpses "on tour" of the behind-the-curtain lives of members of the theatrical community are told with a deft hand. Selections include: "The Halt", "A Bad Morning", "The Circus House", "The Workroom", "Matinee", "The Starveling", "Love", "The Hard Worker", "After Midnight", "Lola", "Moments of Stress", "Journey's End", "The Accompanist", "The Cashier", "Nostalgia", "Clever Dogs", "La Fenice" and "The Master".

Primera de las cuatro obras dedicadas al personaje con el que Colette revolucionó la literatura francesa, Claudine en la escuela (1900) nos presenta a la protagonista a la edad de quince años, cuando está a punto de terminar su educación formal y aventurarse en la vida adulta. Rebelde, ingeniosa y efervescente, Claudine se mete en líos con sus compañeras, se burla de sus mayores, critica a los acartonados señores que tiene por maestros y compite con la directora del colegio por el afecto de la señorita Aimée, que ha despertado en ella algo más que amor por el conocimiento.

À bien des égards, Renée, l'impétueuse narratrice de La Vagabonde, se pose comme le double de Colette qui signe ici son roman le plus personnel. Comme elle, sa jumelle littéraire est divorcée, actrice de music-hall, écrivaine et surtout farouchement indépendante. Elle se laisse pourtant toucher par Max, un homme beau, brillant et riche : une intrigue simplissime dont Colette a l'audace de prendre le contre-pied pour mieux interroger l'indépendance, le courage et la liberté des femmes et réaffirmer leur force.

Where are we going? How will we get there? In a world of uncertainty, most of us don't really know. Our challenge is to sail into uncharted waters - away from the familiar ways that don't work anymore - to discover ourselves and the infinite potential for our lives. It's in these as-yet-undiscovered places within us that we come to recognize what we can be and what we can co-create with Spirit.

After 18 years of marriage, Kathy Walker has settled into a pattern of comfortable routines-ferrying her two teenagers between soccer practice and piano lessons, running a film production business with her husband, Robert, and taking care of the beautiful Boston home they share. Then one day, Kathy discovers a suspicious number on her husband's phone. Six years before, Kathy accused Robert of infidelity - a charge he vehemently denied - and almost destroyed their marriage in the process. Now Kathy must decide whether to follow her suspicions and risk of losing everything, or to trust.