Showing titles in Family

In his stunningly intimate, highly anticipated follow up to Helium, Rudy Francisco has created a collection of poems that savor the day-to-day, treating it as worship, turning it into an opportunity to plant new seeds of growth.

“When life throws you a bag of sorrow, hold out your hands/Little by little, mountains are climbed.” So ends Kate Baer’s remarkable poem “Things My Girlfriends Teach Me”. In “Nothing Tastes as Good as Skinny Feels” she challenges her listener to consider their grandmother’s cake, the taste of the sea, the cool swill of freedom. In her poem “Deliverance” about her son's birth she writes, “What is the word for when the light leaves the body/What is the word for when it/ at last, returns”.

A groundbreaking collection of poems addressing how every kind of love—self, brotherly, romantic, familial, cultural—is birthed, shaped, and complicated by the invisible forces of gender, capitalism, religion, migration, and so on.

Renowned for his inventive mind, ambitious play with language, and dexterity with a wide range of tones and styles, John Ashbery has been a major artistic figure in the cultural life of our time. Parallel Movement of the Hands gathers unpublished, book-length projects and long poems written between 1993 and 2007, along with one (as yet) undated work, to showcase Ashbery’s diverse and multifaceted artistic obsessions and sources, such as children’s literature, cliff-hanger cinema reels, silent films, and classical music variations by Beethoven’s pupil Carl Czerny.

With her first full-length poetry collection, Warsan Shire introduces us to a young girl, who, in the absence of a nurturing guide, makes her own way toward womanhood. Drawing from her own life, as well as pop culture and news headlines, Shire finds vivid, unique details in the experiences of refugees and immigrants, mothers and daughters, Black women and teenage girls.

Orphaned as a child, Fatimah Asghar grapples with coming of age and navigating questions of sexuality and race without the guidance of a mother or father. These poems at once bear anguish, joy, vulnerability, and compassion, while also exploring the many facets of violence: how it persists within us, how it is inherited across generations, and how it manifests itself in our relationships. In experimental forms and language both lyrical and raw, Asghar seamlessly braids together marginalized people’s histories with her own understanding of identity, place, and belonging.

Blythe Baird’s If My Body Could Speak is a celebration of girlhood and all of its struggles and triumphs. In poems that dig deep into sexuality, acceptance of the body, survival of trauma, and learning to love yourself in spite of everything telling you not to, Baird’s voice is a rich addition to her generation. Searing, soaring, and heartbreaking, If My Body Could Speak balances the softness of femininity with the sharpness that girls are forced to become.

Sabrina Benaim, author of Depression & Other Magic Tricks, has connected deeply with readers and reached millions of viewers through her poetry, breaking down the stigma around mental illness. Now, she dives into challenging and universal territory: grief over a relationship’s end, loneliness in a world under lockdown, and the anxiety of caring for a loved one from afar in the wake of a serious diagnosis.

Performance poet Sabrina Benaim presents Depression & Other Magic Tricks, a collection of poems that explores themes of mental health, love, and family. It is a documentation of struggle and triumph, a celebration of daily life and of living.

The Prophet is a book of 26 prose poetry fables written in English by the Lebanese-American poet and writer Kahlil Gibran. It was originally published in 1923 by Alfred A. Knopf. It is Gibran's best known work. The Prophet has been translated into over 100 different languages, making it one of the most translated books in history, and it has never been out of print. The prophet, Al Mustafa, has lived in the city of Orphalese for 12 years and is about to board a ship which will carry him home. He is stopped by a group of people, with whom he discusses topics such as life and the human condition.

mother is a work rooted in an intimate fracture: an Indigenous child is adopted out of her tribe and raised by a non-Indian family. As an adult finding her way back to her origins, our unnamed narrator begins to put the pieces of her birth family's history together through the stories told to her by her mother, father, sister, and brother, all of whom remained on the reservation where she was born. Through oral histories, family lore, and imagined pasts and futures, a collage of their community emerges, raising profound questions about adoption, inheritance, and Indigenous identity in America.

In Girls That Never Die, award-winning poet Safia Elhillo reinvents the epic to explore Muslim girlhood and shame, the dangers of being a woman, and the myriad violences enacted and imagined against women’s bodies. Drawing from her own life and family histories, as well as cultural myths and news stories about honor killings and genital mutilation, she interlaces the everyday traumas of growing up a girl under patriarchy with magical realist imaginings of rebellion, autonomy, and power.

Phil Kaye’s debut collection is a stunning tribute to growing up, and all of the challenges and celebrations of the passing of time, as jagged as it may be. Kaye takes the listener on a journey from a complex but iridescent childhood, drawing them into adolescence, and finally on to adulthood. There are first kisses, lost friendships, hair blowing in the wind while driving the vastness of an empty road, and the author in the middle, trying to make sense of it all. Date & Time is a welcoming story, which freezes the calendar and allows us all to live in our best moments.

When Kevin Powell's elderly mother became ill, he returned home ever week to take her grocery shopping in Jersey City. Walking behind her during those trips, Powell began to hear her voice, stories, and language in a new way—and examined his own healing while praying for hers. Grocery Shopping with My Mother originated as social media posts about these visits and evolved into a breathtaking collection of thirty-two new poems, crafted like an album, plus four bonus tracks celebrating a great love of wordplay.

The author of the number one New York Times best seller What Kind of Woman returns with a collection of erasure poems created from notes she received from followers, supporters, and detractors — an artform that reclaims the vitriol from online trolls and inspires listeners to transform what is ugly or painful in their own lives into something beautiful.

From Finnish saunas and soppy otters to grief, grandparents and Kellogg's anti-masturbation pants, Slug is a book which holds a mirror lovingly up to the world, past and present, through Hollie's driving, funny, hopeful poetry and prose. Slug is about the human condition: of birth and death and how we manage the possibilities in between.

Each pair of poems inspires a shift from the old way of thinking to the new: from guilt to gratitude, resistance to surrender, and fear to love. The first poem in each pair is dedicated to the old way. The second poem offers a shift in perspective that lovingly illuminates the new. Each seemingly simple poem instantly elicits a profound reset, and is coupled with beautiful line drawings that awaken not just the mind, but also the heart. The Shift’s unique poem pairings uplift the soul by offering a hopeful salve for our collective burnout.

The Only Worlds We Know is a nuanced and tactile look at both sobriety and what comes after. Patient meditations on loss and the land where the people we love live and are also buried.

I Had A Brother Once is a brilliant, genre-defying work - both memoir and epic poem - about the struggle for wisdom, grace, and ritual in the face of unspeakable loss. Adam is forced to re-remember a brother he thought he knew and to reckon with a ghost, confronting his unsettled family history, his distant relationship with tradition and faith, and his desperate need to understand an event that always slides just out of his grasp.

In Root Fractures, Diana Khoi Nguyen excavates the moments of rupture in a family: a mother who was forced underground after the Fall of Saigon, a father who engineered a new life in California as an immigrant, a brother who cut himself out of every family picture before cutting himself out of their lives entirely. And as new generations of the family come of age, opportunities to begin anew blend with visitations from the past.