Showing results by author "Caitlin Moran" in All Categories

The follow-up to Caitlin Moran's breakout hit, How to Be a Woman - a hilarious collection of award-winning columns, available to American listeners for the first time ever.

The author of the international bestseller How to Be a Woman returns with another “hilarious neo-feminist manifesto” (NPR) in which she reflects on parenting, middle-age, marriage, existential crises—and, of course, feminism. As timely as it is hysterically funny, this memoir/manifesto will have listeners laughing out loud, blinking back tears, and redefining their views on feminism and the patriarchy. More Than a Woman is a brutally honest, scathingly funny, and absolutely necessary take on the life of the modern woman—one that only Caitlin Moran can provide.

Like anyone who discusses the problems of girls and women in public, Caitlin Moran has often been confronted with the question: “But what about men?” And at first, tbh, she dgaf. Boys, and men, are fine, right? Feminism doesn’t need to worry about them. However, around the time she heard an angry young man saying he was “boycotting” International Women’ Day because “It's easier to be a woman than a man these days,” she started to wonder: are unhappy boys, and men, also making unhappy women?

Though they have the vote and the Pill and haven't been burned as witches since 1727, life isn't exactly a stroll down the catwalk for modern women. They are beset by uncertainties and questions: Why are they supposed to get Brazilians? Why do bras hurt? Why the incessant talk about babies? And do men secretly hate them? Caitlin Moran interweaves provocative observations on women's lives with laugh-out-loud funny scenes from her own, from adolescence to her development as a writer, wife, and mother.

It's 1990. Johanna Morrigan, 14, has shamed herself so badly on local TV that she decides that there's no point in being Johanna anymore and reinvents herself as Dolly Wilde - fast-talking, hard-drinking gothic hero and full-time Lady Sex Adventurer. She will save her poverty-stricken Bohemian family by becoming a writer - like Jo in Little Women, or the Brontës - but without the dying-young bit.

When Caitlin Moran sat down to choose her favorite pieces for her new book, she realized that they all shared a common theme - the same old problems and the same old asshats. Then she thought of the word Moranifesto, and she knew what she had to do.... Introducing every piece and weaving her writing together into a brilliant, seamless narrative - just as she did in Moranthology - Caitlin combines the best of her recent columns with lots of new writing unique to this book.

1913 - Suffragette throws herself under the King's horse. 1969 - Feminists storm Miss World. Now - Caitlin Moran rewrites "The Female Eunuch" from a bar stool and demands to know why pants are getting smaller. There's never been a better time to be a woman: we have the vote and the Pill, and we haven't been burnt as witches since 1727. However, a few nagging questions do remain...Why are we supposed to get Brazilians? Should you get Botox? Do men secretly hate us? What should you call your vagina?

As any feminist who talks about the problems of girls and women will know, the first question you will ever be asked is 'But what about MEN?' After eleven years of writing bestsellers about women and dismissing this question, having been very sure that the concerns of feminism and men are very different things, Caitlin Moran realised that this wasn't quite right, and that the problems of feminism are also the problems of, yes, men. So, what about men?

A hilarious, heartfelt sequel to How to Build a Girl, the breakout novel from feminist sensation Caitlin Moran who the New York Times called, "rowdy and fearless... sloppy, big-hearted and alive in all the right ways." You can’t have your best friend be famous if you’re not famous. It doesn’t work. You’re emotional pen-friends. You can send each other letters - but you’re not doing anything together. You live in different countries.

Si eres una adolescente con unos kilos de más, te masturbas con sigilo para no despertar a tu hermano pequeño, vives en Wolverhampton, formas parte de una familia numerosa con una economía precaria, tienes un padre con aspiraciones nunca cumplidas de triunfar en la música, que abusa de la botella, y una madre depresiva, la vida puede ser un asco. Si para colmo haces el ridículo en la televisión local leyendo un poema, probablemente ha llegado el momento de tomar una decisión drástica. Empezando por cambiarte el nombre.

No hubo nunca mejor época que ésta para ser mujer: ahora existen el voto femenino y la píldora, y desde 1727 ya no envían a las mujeres a la hoguera por brujas. Pero ¿cómo ser mujer? Ésa es precisamente la gran, eterna pregunta a la que Caitlin Moran se propone responder en una obra que aborda a calzón quitado - a veces literalmente -, con inteligencia, desvergüenza e ironía y también una salvaje franqueza, los principales aspectos de la condición femenina.

Adapted and narrated by Caitlin Moran, this brand-new radio adaptation intersperses dramatised scenes from Moran's life (from her teenage years in a crowded council house in Wolverhampton, to setting out as a music journalist, to getting married and having children) with her thoughts on subjects that range from the necessity of big knickers to the experience of giving birth and having an abortion.

A decade ago, Caitlin Moran thought she had it all figured out. Her instant bestseller How to Be a Woman was a game-changing take on feminism, the patriarchy and the general ‘hoo-ha’ of becoming a woman. Back then, she firmly believed ‘the difficult bit’ was over and her 40s were going to be a doddle. If only she had known: when middle age arrives, a whole new bunch of tough questions need answering.

Possibly the only drawback about the best-selling How to Be a Woman was that its author, Caitlin Moran, was limited to pretty much one subject: being a woman. Moranthology is proof that Caitlin can actually be ‘quite chatty’ about many other things, including cultural, social and political issues which are usually the province of learned professors, or hot-shot wonks – and not a woman who once, as an experiment, put a wasp in a jar, and got it stoned.

I’m Johanna Morrigan, and I live in London in 1995, at the epicentre of Britpop. I might only be 19, but I’m wise enough to know that everyone around me is handling fame very, very badly. My unrequited love, John Kite, has scored an unexpected Number One album, then exploded into a Booze And Drugs HellTM - as rockstars do. And my new best friend - the maverick feminist Suzanne Banks, of The Branks - has amazing hair, but writer’s block and a rampant pill problem. So I’ve decided I should become a 'Fame Doctor'.

A brand-new collection of Caitlin's award-winning Times columns plus three major new pieces exclusive to this book - one of which is Caitlin's Moranifesto for a better world. As with Moranthology, Caitlin introduces every piece and weaves her writing together into a brilliant, seamless book. And, similarly to her last collection, Moranifesto is a characteristically fun and witty look at the news, celebrity culture and society.

It’s 1990. Johanna Morrigan, 14, has shamed herself so badly on local TV that she decides that there’s no point in being Johanna anymore and reinvents herself as Dolly Wilde - fast-talking, hard-drinking Gothic hero and full-time Lady Sex Adventurer! She will save her poverty stricken Bohemian family by becoming a writer - like Jo in Little Women, or the Brontes - but without the dying young bit. By 16, she’s smoking cigarettes, getting drunk, and working for a music paper.

¿Quién dijo que convertirse en una mujer de mediana edad iba a ser una tarea fácil? Caitlin Moran, que arrasó con aquel tronchante y lúcido manifiesto de feminismo asilvestrado titulado Cómo ser mujer, regresa con una secuela que desmonta la teoría de que segundas partes nunca fueron buenas, dada la espectacularidad de esta. Si en la anterior entrega hablaba la joven Caitlin, aquí es la cuarentona la que vuelve a la carga. Ahora las experiencias vitales son otras y han cambiado algunas prioridades y puntos de vista, pero la pluma con la que escribe sigue afiladísima.

It’s 1990. Johanna Morrigan, 14, has shamed herself so badly on local TV that she decides that there’s no point in being Johanna anymore and reinvents herself as Dolly Wilde - fast-talking, hard-drinking Gothic hero and full-time Lady Sex Adventurer! She will save her poverty stricken Bohemian family by becoming a writer - like Jo in Little Women, or the Bröntes - but without the dying young bit.

You can’t have your best friend be famous if you’re not famous. It doesn’t work. You’re emotional pen-friends. You can send each other letters - but you’re not doing anything together. You live in different countries. Johanna Morrigan (AKA Dolly Wilde) has it all: at 18, she lives in her own flat in London and writes for the coolest music magazine in Britain. But Johanna is miserable. Her best friend and man of her dreams John Kite has just made it big in 1994’s hot new Britpop scene. Suddenly John exists on another plane of reality: that of the Famouses. Never one to sit on the sidelines, Johanna hatches a plan....