Showing results by narrator "Emily Gray" in All Categories

Deftly blending such genres as mystery, science fiction, and classic literature, Jasper Fforde’s gleefully irreverent New York Times best-selling Thursday Next novels defy categorization. In this sixth installment, the threat of all-out Genre war looms over BookWorld. But with the real Thursday Next retired in the real world, the Council of Genres has no other choice than to tap the fictional Thursday to save the day. Her mission as emissary is to prevent the brewing war—but her task is made more difficult by a hidden foe manipulating events.

Jasper Fforde's delightfully zany Thursday Next series shows no signs of slowing down with its seventh entry, The Woman Who Died a Lot. Despite being semihappily semi-retired from SpecOps, Thursday accepts the head librarian position at the Swindon library. But soon threats from a supreme Deity, a mnemonomorph, and the nefarious Goliath corporation press Thursday back into active duty.

It's been 14 years since Thursday pegged out at the 1988 SuperHoop, and Friday is now a difficult 16-year-old. However, Thursday's got bigger problems. Sherlock Holmes is killed, and his series is stopped in its tracks. And before this can be corrected, Miss Marple dies suddenly in a car accident, bringing her series to a close as well. When Thursday receives a death threat clearly intended for her written self, she realizes what's going on: there is a serial killer on the loose in the Bookworld.

The Manchester Evening News declared, it took "a biographer like Ingrid Seward to unleash a sober, challenging glimpse into the one relationship of such scrutiny." That relationship is the complex, troubled, and often turbulent association between Princess Diana and Queen Elizabeth.

Thursday Next, Head of JurisFiction and ex-SpecOps agent, returns to her native Swindon accompanied by a child of two, a pair of dodos and Hamlet, who is on a fact-finding mission in the real world. Thursday has been despatched to capture escaped Fictioneer Yorrick Kaine but even so, now seems as good a time as any to retrieve her husband Landen from his state of eradication at the hands of the Chronoguard. It’s not going to be easy.

After spending her time chasing a stray Minotaur into pulp Westerns, filling in for Joan of Arc, and raising her infant son, Friday, Thursday needs a break in the real world. But her return to Swindon is far from relaxing. Rogue fictioneer Yorrick Kaine and the evil multinational Goliath Corporation are trying to rule the world, and a deadly assassin called the Windowmaker is tracking Thursday's every move.

Meet Emma Corrigan, a young woman with a huge heart, an irrepressible spirit, and a few little secrets: Secrets from her mother: I lost my virginity in the spare bedroom with Danny Nussbaum while Mum and Dad were downstairs watching Ben-Hur. Sammy the goldfish in my parents’ kitchen is not the same goldfish that Mum gave me to look after when she and Dad were in Egypt. Secrets from her boyfriend: I weigh 128 pounds. Not 118, like Connor thinks. I’ve always thought Connor looks a bit like Ken. As in Barbie and Ken.

This stunning debut novel from Australian author Lucy Christopher generated considerable buzz for its nonstop suspense and breathtaking imagery. Sixteen-year-old Gemma is on a layover at Bangkok Airport, headed to Vietnam with her parents. Then the vaguely familiar Ty drugs Gemma’s drink and steals her away. Her head swirling in confusion, Gemma soon finds herself fighting to survive in the unforgiving Outback.

The murder of her mother leads 13-year-old Rowan to a desperate decision. She must set out alone across dangerous country to find the father she has never met: a famous outlaw of Sherwood Forest named Robin Hood. And when Robin is captured by the Sheriff of Nottingham, Rowan and an unlikely band of rescuers must use all their skills to set him free.

In 1939, Lavender flees London to escape the German bombs and her shattered marriage. Settling in a small town, she pulls together a makeshift orchestra to help cope with the times.

Lady Alexia Maccon, soulless, is at it again, only this time the trouble is not her fault. When a mad ghost threatens the queen, Alexia is on the case, following a trail that leads her deep into her husband's past. Top that off with a sister who has joined the suffragette movement (shocking!), Madame Lefoux's latest mechanical invention, and a plague of zombie porcupines and Alexia barely has time to remember she happens to be eight months pregnant. Can Alexia determine who is trying to kill Queen Victoria?

One would think the last place a beauty like Fallon O'Rourke could keep her virtue was in the Mayfair mansion of London's most licentious duke, the notorious Dominic Hale. Yet Fallon - who's endured nothing but lecherous advances since her father's tragic death - is perfectly safe there...disguised as a footman! Beneath the notice of the dark-haired devil with his smoldering blue eyes and sinful smile, Fallon never imagines her secret will be discovered. But how long can her deception last?

After two rollicking adventures through Western literature, resourceful literary detective Thursday Next definitely needs some downtime. And what better place for a respite than in the hidden depths of the Well of Lost Plots, where all unpublished books reside? But peace and quiet remain elusive for Thursday, who soon discovers that the Well is a veritable linguistic free-for-all, where grammasites run rampant, plot devices are hawked on the black market, and lousy books—like the one she has taken up residence in—are scrapped for salvage.

The bond that changed everything is put to its final test. It has been more than twenty years since the Kindred came to live in Rockwood. Most of the villagers have embraced the Kindred and all that they have to teach, but there are those who fear the Kindreds' influence, and so have drifted away to live as outcasts. The outcasts suffer, living as they do, but they refuse help, even from the Horse-Bonded.

Alexia Maccon, the Lady Woolsey, awakens in the wee hours of the midafternoon to find her husband, who should be decently asleep like any normal werewolf, yelling at the top of his lungs. Then he disappears, leaving her to deal with a regiment of supernatural soldiers encamped on her doorstep, a plethora of exorcised ghosts, and an angry Queen Victoria.

Alexia Tarabotti, Lady Maccon, has settled into domestic bliss. Of course, being Alexia, such bliss involves integrating werewolves into London High society, living in a vampire's second best closet, and coping with a precocious toddler who is prone to turning supernatural willy-nilly. Even Ivy Tunstell's acting troupe's latest play, disastrous to say the least, cannot put a damper on Alexia's enjoyment of her new London lifestyle.

Amarilla and Infinity have been the catalysts for change that they agreed to be, but they know there is more to be done. If they can befriend the Woeful and persuade the rest of humankind to do the same, then the destructive ways of the Old will forever be behind them.

The year is AD 7000. The human species is extinct - for the fourth time - due to its fragile nature. Krina Alizond-114 is metahuman, descended from the robots that once served humanity. She’s on a journey to the water-world of Shin-Tethys to find her sister Ana. But her trip is interrupted when pirates capture her ship. Their leader, the enigmatic Count Rudi, suspects that there’s more to Krina’s search than meets the eye.

Alexia Tarabotti is laboring under a great many social tribulations. First, she has no soul. Second, she's a spinster whose father is both Italian and dead. Third, she was rudely attacked by a vampire, breaking all standards of social etiquette. Where to go from there? From bad to worse, apparently, for Alexia accidentally kills the vampire - and then the appalling Lord Maccon (loud, messy, gorgeous, and werewolf) is sent by Queen Victoria to investigate.

In this sizzling tale, young Miles Cavanagh becomes the improbable guardian to Felicity Monahan, a wealthy, headstrong heiress who seems set on marrying an unscrupulous cad who clearly only wants to wed Felicity for one reason - and that reason is not love.