Showing results by narrator "Jack Chekijian" in All Categories

It is difficult to find another soldier's story to equal Captain Darrell Watt's in terms of time spent on the field of battle and challenges faced. Even by the lofty standards of the SAS and Special Forces, one has to look far to find anyone who can match his record of resilience and valor in the face of such daunting odds and with resources so paltry. In the fight, he showed himself to be a military maestro. After 12 years in the cauldron of war, his cause slipped from beneath him, and Rhodesia gave way to Zimbabwe.

Contained here is Julius Caesar's account of his activities following the Gallic Wars, in three books that detail his retaliation to a political conspiracy in Rome, leading to conflicts against his own countrymen and rival general Pompey. It is uniquely presented in Caesar's first-person perspective (the original Latin is in the third-person perspective). This production is based on a translation of the work by W.A. McDevitte and W.S. Bohn published in New York in 1869.

A classical book on the universally popular autosuggestion method with the preface by its originator himself. This book in detail describes the nuances of the method, as well as its various uses. A valuable publication - both from the historical point of view and from the point of view of the common reader.

Strange Mutants of the Twenty-First Century contains Keel's very first ruminations on Mothman, as well as a variety of strange reports on black "demon" dogs, phantom cats, Bigfoot and other North American giants, flying humanoids, flying saucers, flying snakes, and even stranger mutants that Keel believed reside with us on Earth.

This book is a call to return to our American roots; to remember our heritage and birthright. Most importantly, it is a reminder that our oaths are binding, and we have a responsibility to ourselves and our posterity to honor them. Douglas Hogan writes in a style that is both direct and candid. No words are minced; there is no "beating around the bush" or "tip-toeing through tulips". Douglas says what he means, and his incredible passion is ample evidence that he means what he says.

People have always been afraid of the dead. Since the dawn of humanity, people have both cared for those who are deceased yet also tried to keep them away. There are a myriad of legends and beliefs about the dead coming back, and one of the more persistent ones is of the vampire.

In this innovative and deeply felt work, Bron Taylor examines the evolution of "green religions" in North America and beyond: spiritual practices that hold nature as sacred and have, in many cases, replaced traditional religions. Tracing a wide range of groups - radical environmental activists, lifestyle-focused bioregionalists, surfers, new-agers involved in "ecopsychology", and groups that hold scientific narratives as sacred - Taylor addresses a central theoretical question.

Was Billy the Kid really shot to death by Sheriff Pat Garrett on a July night in 1881? At the midpoint of the last century, an old man comes forth seeking a pardon for crimes committed. He says that he wants to die a free man - and that he is Billy the Kid. The incident leads to this examination of new facts, new interpretations, and new contradictions. It is the story of "Brushy" Bill Roberts, a man who laid claim to a legend. Originally published in 1955 by University of New Mexico Press.

Noir emerged as a prominent American film genre in the early 1940s, distinguishable by its use of unusual lighting, sinister plots, mysterious characters, and dark themes. From The Maltese Falcon (1941) to Touch of Evil (1958), films from this classic period reflect an atmosphere of corruption and social decay that attracted such accomplished directors as John Huston, Alfred Hitchcock, Billy Wilder, and Orson Welles.

They call themselves "Niitsitapi" ("Original People"), but in the United States, they are known as the Blackfeet. In Canada, they are known by their more particular band names, one of which is Blackfoot, but regardless of the name, they are a tribe of Native American peoples ("First Nations" in Canada) who, until the modern time period, lived in small, decentralized bands and hunted the bison on the northern Great Plains.

Whether intended as historical fiction or not, this tale of a California bandit in the early years of the Gold Rush by America's first Native American novelist was based on real occurrences. By early 1853, a certain "Joaquin" was being blamed for seemingly every murder and robbery in the young Golden State—a Robin Hood-like figure originally from Mexico said to be an inspiration a half a century later for the character of Zorro (who in turn was an influence on masked vigilante and avenger characters like Batman).

What is history, and why should we study it? Is there such a thing as historical truth? Is history a science? One of the most accomplished historians at work today, John Lewis Gaddis, answers these and other questions in this short, witty, and humane book. The Landscape of History provides a searching look at the historian's craft as well as a strong argument for why a historical consciousness should matter to us today.

This may rightly be considered one of the first published sources of the King Arthur legend. The translation by Sebastian Evans of this selection of Geoffrey of Monmouth's chronicle of ancient British kings differs in several respects from more popular versions of Arthurian tales published centuries later. Notably absent here are the Round Table of knights, the Holy Grail, Guenevere's affair with Sir Lancelot, and the Lady of the Lake.

The editor, Oklahoma school superintendent Stephen Melvil Barrett, first met Geronimo in the summer of 1904, and felt that the 76 year old Bedonkohe Apache leader and medicine man from New Mexico and Arizona, a prisoner of war for 20 years far from his home, who had never told his side of history before, should finally do so. President Theodore Roosevelt granted Barrett's request to interview Geronimo, and this is the result, without Barrett's clarifications or intrusions - "write what I have spoken," as Geronimo said.

These are entirely Napoleon Bonaparte's own words, written and spoken, and collected in journal form. A particular focus here has been put on Napoleon's writings that pertain to military and state matters. The dates in terms of the revolutionary calendar have been modernized, and names and titles of individuals mentioned have been maintained with no attempt at uniformity. This production was begun on the 250th year of Napoleon's birth.

Contained here is Julius Caesar's own account of his military adventures in Gaul at the head of the Roman army, uniquely presented in Caesar's first-person perspective (rather than as a third-person narrative as in the original Latin). Included are seven sections ("books") of the Gallic War, each encompassing one year of Caesar's battles and intrigues; though there is an eighth book, it is generally accepted to have been written by another general, shortly after Caesar's death in 44 BCE.

This collection, from an acclaimed master of dark fiction, consists of 21 tales. Some are straight genre entries, others are stories of psychological terror, and a few are shorts that include science-fiction elements. The first 18 are short stories written solely by Rick Hautala; the final three are collaborations with Jesse and Matti Hautala, Matthew J. Costello, and Jim Connolly.

This infamous compendium of the strange and unexplained, including UFOs and strange weather, was the result of decades of research in libraries by its author, Charles Fort (the inspiration for the term "Fortean"). Worldwide occurrences of the supernatural and the paranormal are documented, with names and pages of sources provided.

The so-called "Bigfoot Bible". Ivan T. Sanderson, cryptozoologist (he coined the term) and paranormal and nature writer, methodically examines the wealth of reported sightings and evidence pertaining to the infamous hairy creatures that have been called names like Sasquatch, Yeti and Oh-Mah. This production focuses on the original work's North American material. Originally published by Chilton Company in Philadelphia in 1961.

Most histories of the Cherokee nation focus on its encounters with Europeans, its conflicts with the U.S. government, and its expulsion from its lands during the Trail of Tears. This work, however, traces the origins of the Cherokee people to the third century B.C.E. and follows their migrations through the Americas to their homeland in the lower Appalachian Mountains.